Evidence Nine
2017Evidence Nine follows a visit to the house of Julia Felix and the discovery of more delicate and faded suggestions of graphic elements. A catenery curve was established empirically. Rather than the painting being decorative, where a subject is embellished, the decoration is the predominant subject of the painting.
Oil on deep canvas.
-
For sale:
Price available on request
Contact Susan - Dimensions: 60 x 60 x 4
- Contexts: Practice-based research , Studio practice
- Artforms: Painting