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Rachel Johnston

Portsmouth

My art practice consists of two distinct, but related, strands. In the studio I create sculptural, shoe-like forms using constructed textile techniques. An intense focus on material and a process-led approach to making are central to this practice. The shoe-objects are worn in specific environments and form a starting point in the exploration of themes relating to sensory experience of place and narrative. An attempt to understand the space that exists between empirical measurement and a subjective experience of the world lies at the heart of this work. The shoes become manipulated and shaped through use, coming to embody a lived ‘moment’ in which layers of memory, personal history and physical engagement with place come together. Photographs documenting the wearing of the shoe-objects often accompany the pieces. The themes of place and journey-making which arise from this work are also central to the community projects that I have been involved in over many years. Working collaboratively, the relationship between image-making and narrative is explored as a starting point in understanding personal history. The most recent project with Mappa colleagues Richard Neville and Emily Lawlor was ‘Unpacking the Past’ (2007 – 2009) in which collections at Portsmouth City Museum were used as a starting point in gathering stories and visual imagery. The project, funded by HLF, resulted in an exhibition and publication.

 

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