Approved: 16.08.2006

Paula Garcia Stone

Artist, Film-maker, Maker

Archived
Approved: 16.08.2006
 
 

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    Artist Statement

    Over the last 30+ years my work has evolved through painting and lightwork installations to digital imaging and an exploration of nano sounds. It has been based on visualising and hearing the mysterious internal workings of our bodies. It could be described as objective self portraiture and the aestheticising of viscera. We are in an age when our view of ‘the figure’ in art is being completely changed by science and technology.

    More recently, my work in the field of soundscape goes further into the human experience, by exploring the spirit of being in a particular space or situation. Drawing is also a current preoccupation.

    My new digital drawings are taken from a ‘video drawing’ called ‘Dreaming track’, following my recordings of freight trains passing close by at night marking out their lines and forms in the day.  They encompass many aspects of our human relationship with industry, environment, travel, time, landscape, and the colossal versus the delicate.

    CV & Education

    Qualifications and training

    2008 - Sound Design & Music Technology. Distinction., London College of Communication, University of the Arts London 2005 - MA with Distinction in Creative Technology, University of Salford, Greater Manchester 1996 - MA Fine Art, Manchester Metropolitan University, Manchester 1982 - BA (Hons) in Painting, Edinburgh College of Art, Scotland 1980 - Six Grade 'A' Credits, Mackintyre Art Dept., University of Virginia, Charlottesville, USA

    Solo exhibitions

    2017 Convergences in Time, Hundred Years Gallery London (included sound performances). 1996 - Lightworks: Is your Red the same as my Red?, installation, Sandbar, Manchester 1994 - Artist for a Week, The Collective Gallery, Edinburgh 1993 - From Bare Beginnings, WASPS Gallery, Edinburgh 1986 - Paula Garcia Stone, Obra Reciente, Galerìa Diart, Madrid, Spain 1983 - Paula Garcia Stone, Exposiciòn, Galeria Litoral, Alicante, Spain

    Group exhibitions

    2017, ‘As It Stands’: Unrefined, Muted, Abandoned, Hundred Years Gallery. Hoxton, London2016 ENDS, Hundred Years Gallery, (+ Event), London. Inspired by at the V&A, Morley Gallery, London. 2016 PRESCRIPTIONS, Artists' Books and the Medical Humanities, The Beaney House of Art & Knowledge, Canterbury, Kent. 2015 -Sound and The Urban Environment, the ONCA Gallery, Brighton   2015 The Engine Room International Sound Art Exhibition,The Morley  Gallery,London.  2009 -The Art of Medicine, British Institute of Radiology, portland Square, London 2007 - Digital Experience, Phillip Goulden Gallery, Walford Mill Crafts, Wimborne, Dorset 2005 - MACT05, Zion Gallery, Manchester 1996 - Holden Gallery, Manchester Metropolitan University, Floor piece with illusory elements, designed for the Audio Visual Gallery 1996 - Underwired Inprint and book of Ours, two portfolios of prints by women artist's from Scotland and the USA. Edinburgh Printmakers Workshop, touring Scotland 1994 - SSA Annual Exhibition, Royal Scottish Academy 1994 - Wasps Festival Exhibition (touring) MacRoberts Arts Centre, Stirling, Patriothall, Edinburgh 1993 - Exhibition, Compass Gallery, Glasgow 1993 - Gallery III, The Collective Gallery, Edinburgh 1992 - Artists from the Casa Manilua, Casa de la Cultura, Casares, Spain 1991 - Arts Intaglio Inaugural Exhibitions, Manchester and Berlin 1990 - Edinburgh Printmakers, Members Work, Highland Printmakers, Inverness 1989 - 369 Gallery, Monotypes, touring Scotland 1985 - Arco 85, International Art Fair, Galeria Diart, Madrid 1984 - Basel, International Art Fair, Diart, Basel, Switzerland

    Prizes and Awards

    2017, Solo Show 1st Prize at HY Gallery London. By popular vote during an Open Call exhibition. 2016, Inspired By, winner of the Digital media prize from the V&A, London. Morley Gallery. 2015 SAFTAs (Southwark Arts Forum The Awards), one of three nominees to be shortilsted for an award in the category of Visual Arts.  2010-2011 Artist in Residence, University of Salford, Greater Manchester. Anechoic Chamber recording, Department of Engineering.. 2006 - Short-listed with two works for the second round of judging for Sense & Sensuality, Blind Art, Banks, Blind Art, Bankside Gallery, London 2005 - Shortlisted, Pnonurgia Nova Prix 2005, Arles, France 2005 - Short-listed in the first round of selection for the Crosby Homes Manchester Art Prize, Manchester Art Gallery, Manchester 2004 - Mature Student Award, Rootstein Hopkins Foundation, London 1993 - Project Grant, for an installation at the Collective Gallery, Edinburgh, Edinburgh District Council, Scotland 1992 - Three month painting residency, The Delfina Studio Trust, London, Casa Manilva, Andalucia, Spain Other 2007 - Interview, The Times Newspaper, England

    Performance
    Dec 2nd 2018 Desire lines, Husk Brewers, London, Three musicians performed to my sound composition ‘Savour the Day’.
    June 16th 2018 Screening of Night Drift and improvising to it with Sue Lynch on tenor saxophone and clarinet, and Richard Sanderson on melodeon at the IKLECTIK. Recorded and mixed by St Austral Sound
    May 20th 2018 Screening of a new version of Night Drift at The Arts Club Lewisham. Playing with Richard Sanderson on melodeon and Charlotte Keefe on trumpet.
    December 5th 2017 Screening of A Dead Flower Reanimates a silent film for wind instruments. At the IKLECTIK During the London New Wind Festival organised by Catherine Pluygers. Eight musicians improvised to the theme and imagery.
    October 8th 2017, during solo show Convergences in Time, at Hundred Years Gallery,performed with electronics during screening of own film, Night Drift, with Sue Lynch on sax and clarinet. and screened own film A Dead Flower reanimates while Three musicians, Sue Lynch, Catherine Pluygers and Richard Sanderson improvised.
    September 2015 The Summer Pedalling Games – ‘Velocipede sketches’ sound piece for ERNA sonic bicycle ridden around London Fields Park.
    Nov 2014 The Horse IMPROV club at the Dog House in Kennington London. Sole improvisation with film and sound files.
    April 2008 Southbank Centre, London. Unknown Devices playing with The London Sinfonietta and The RNCM. 30 min improvisation with projections by Pablo Fiasco.