The work is concerned, on a micro level, with a narrow locale and specific objects. However, on a macro level it is engaged with discourse about geological time, climate change and environmental breakdown.
I make multi-disciplinary responses to landscape through sculpture, drawing, collage, print, photography and video. The three-dimensional pieces are made directly with found objects and found materials both on site, as interventions, and in the studio. They have two-dimensional and time-based elements to accompany them.
Central to my practice is the daily act of walking in the landscape of the South Downs National Park. It is where materials and subject matter are found. The walk is act of self-care as well as care for the place, clearing litter as I go. The human-made detritus I collect, the materiality of those objects, the act of walking and the hill itself are my subject matter.
This repetitive focus on landscape and geology has allowed me to explore concerns around fossil-fuelled recreation, plastic-waste, and erosion in the work.
Debate around the politics of litter, explored by rural sociologist Rosemary Shirley, have prompted a closer look at my own reactions to what I find. Litter in a rural context is not tidied away but has a striking and enduring presence that often throws up ironic juxtapositions. This is particularly reflected in works made during the Covid-19 pandemic that focus on personal human detritus.
I have experimented with placing rubbish-filled gabion baskets, which are themselves associated with the geo-engineering of flood defence in the face of rising sea-levels, on the site of the littering and have made works that tidy it all away inside the structures. The 1:10 ratio of biomass to human-made detritus in the work is a reference to that outlined by field geologist Jan Zalasiewicz in his essay The Anthropocene Square Meter which helps to visualize the enormity of human impact on the earth.
The project Byway 745 Observatory is a year-long residency in a section of 4000 year old rural sunken lane, currently a Byway Open to All Traffic. The area studied reaches down from the canopy of beech trees to the bedrock of chalk. A critical zone, as defined by earth system scientists. The zone, a few kilometres thick, from the lower atmosphere to the upper bedrock in which life on earth occurs. This is an exercise in stopping to look rather than passing through. Observations have been made by drawing on site and collecting materials, as well as by using video to record natural cycles and human interventions. The presentation of these findings is to be realised as a multi-faceted installation involving large scale drawings and prints, structures containing salvaged materials and video projection.
The curatorial challenge of bringing the elements of research together, away from the landscape, is very much part of this project. The approach owes much to Robert Smithson’s Provisional Theory of Non-sites whilst also acknowledging more contemporary installation practices.
Qualifications.
2021 - M.A. Fine Art, University for the Creative Arts, Farnham
1985 - B.Ed.(Hons) Fine Art and Education, Homerton College, University of Cambridge
Solo Exhibitions and Projects.
2021
Byway 745 Observatory, Wheatham Hill, Hampshire
1999
Forest Arts Centre, New Milton, Hampshire
1992
Academy Literary Club, London
High Water, Omphalos Arts, Sandwich, Kent
1991
St Bartholomew's Hospital, London
1990
Burial at Sea, Windsor Arts Centre, Berkshire
Submarine Gallery, London
1988
Hardware Gallery, London
Group Exhibitions and Projects.
2022
Boundaries, Hampshire Sculpture Trust at West Downs Gallery, University of Winchester.
Gallery No.32, Sculpture park, Bexley, London.
2021
Haus a Rest, Land Art. Curated online exhibtion.
Alt-terior, 2021 MA Fine Art Graduates, James Hockey Gallery, UCA Farnham, Surrey
Bedrock, The Oast House, Farnham, Surrey
Forgotten Thought, MA Fine Art UCA Farnham Exhibition, Safehouse 1, Peckham, London
Unsettled Focus, MA Fine Art UCA Farnham Exhibition, South Molton St Gallery, London
Artists Responding To A.R.T. online zine Issue 7
The Sky Has No Surface. Curated online exhibition.
Beyond the Boundaries. University for the Creative Arts, Farnham and online @undertowprojects
2020
Haus a Rest. The Environment. Curated online exhibition.
You Are Here. Curated online exhibition.
Under(cover) - Art made during lockdown. Instagram. mafineartucafarnham
2019
Objections, Linear Gallery, University for the Creative Arts, Farnham
2017
Inspired by the Word, Petersfield Museum, Hampshire
2015
10 days Chalk, The Winchester Gallery, Winchester School of Art, Winchester, Hampshire
2014
Mottisfont Open, National Trust, Mottisfont Abbey, Romsey, Hampshire
2011
Under The Beeches, public woodland, rural Hampshire
2009
Hampshire Sculpture Trust, The Winchester Gallery, Winchester School of Art, Hampshire
In To Land, Arlington Arts Centre, Newbury, Berkshire
2008
Auf Europaïsche Art, Historischen Rathaus, Warendorf, Germany
Hampshire Sculpture Trust, Winchester Gallery, Winchester School of Art, Hampshire
2007
PAinT Arts Trail, Open Studio, The Avenue, Petersfield, Hampshire
2000
Art in the Garden, Beatrice Royal Gallery, Eastleigh, Hampshire
Little Gems, Beatrice Royal Gallery, Eastleigh, Hampshire
1999
Women's Work, Willis Museum, Basingstoke, Hampshire
1998
Open Dialogue, Forest Arts, New Milton, Hampshire
Voyage around George Staunton, Staunton Country Park, Havant - Hampshire Sculpture Trust
1997
Hiding Places, Red House Museum, Christchurch, Dorset - collaboration with Kate Miller
1996
Angels and Mechanics - Touring to Riverside Studios, South Hill Park Arts Centre, Tullie House - London, Bracknell and Carlisle
Touchables, Blackfriars Arts Centre, Boston, Lincolnshire
Unfamiliar Familiarity, Winchester Contemporary Art, Hampshire
1994
Sculpins, Dartington Arts, Devon - collaboration with Jilly Sutton
Whitechapel Open, Whitechapel Gallery, London
1993
London Group, Barbican Centre, London
Feast, Hardware Gallery, London
1992
Barbican Arts Group Trust, Sutton House, National Trust, London
1991
Lyth Arts Centre, Caithness, Scotland
Princes Trust, Fifteenth Anniversary, Windsor
1990
Beast, Submarine Gallery, London
1989
Barbican Arts Group Trust, Metropole Arts Centre, Folkestone
Reactivart, Submarine Gallery, London
Residencies
2021 - Digital Residency @undertowprojects
1994 - Barbican Arts Group Trust, St. Dominic's Junior School, Hackney, London
1991 - Artist in Residence, Lyth Arts Centre, Caithness, Scotland
Curatorial Projects
Forgotten Thought, MA Fine Art UCA Farnham Exhibition, Safehouse 1, Peckham, London
Member of Splynta Collective
Work in Collections
Clare College, Cambridge
St Thomas' Hospital, London
