Approved: 16.08.2006

Jenny Mellings

Artist, Film-maker, Gallery educator, Lecturer / academic, Teacher

Approved: 16.08.2006
 
 
 

Artist Statement

 

For some time my activity has involved selecting and processing fragmentary images from multiple sources, including those related to our engagement with the virtual world of the internet. Throughout previous work there has been a dominant theme of the layering of imaginary visions onto elements of perceived reality. Some earlier pieces involved the appearance of motifs derived from 'emoticons' commonly used in email exchanges. They were used as 'vessels' for the containment of themes related to, or in contrast or conflict with the background image, and paintings were arranged in formats which are derived from computer screen window layout. Later the confines of the traditional rectangular surface format was fractured in favour of smaller 'components' which can be freely arranged across a supporting surface. Much of their content is based upon visual and other material received via the web in various contexts, but is not confined to those sources. Alongside recognition of ideas related to sensory overload in my work, there has been perhaps a stronger thread that is much more to do with the opposite. Recently I've been considering ideas surrounding the knowledge that sensory deprivation can induce such phenomena as visions and many other experiences in which the brain can compensate for lack of stimuli arriving through all the senses. Of course such happenings in people's lives vary from religious visitations, visual and auditory hallucination, and waking dreams, memories or intrusive thoughts that can temporarily override reality. In the past I have also worked with such ideas by means of film/stop-motion animation in which drawing has been overlaid onto and developed from an underlying photograph. By doing so, I was able to extend sequential narrative in a reflexive and sponateous way. Some earlier work was related to the effects of war/conflict. This has not been consciously maintained as a guiding force, but appeared more as a result of being subject to media influences. An earlier film (Crisium) completed in autumn 2003 was based on the idea of earthly visions animated against a lunar landscape, for which resources included appropriated images from historic engravings and also from the news. It was partly based on the idea that either an image or a landscape empty of life could each generate a response in the form of a flood of visual images, and sometimes words to the brain. During the past year I have returned again to using landscapes from beyond our physical reach, those of untrodden other planets visible only through high technology. For the past few years my primary materials have been earth pigments and minerals with various media.  Previously I painted in a roughly Expressive/Surrealist style and frequently made narrative, allegorical works with mythical references and some images appropriated from ancient art. Influences Traditional European figurative painting (particularly landscape), Ukiyo-E prints, other prehistoric and multicultural art, contemporary film and photography, avant-garde film, animation, painting, drawing, computers, the internet, multimedia, life in general both on my doorstep and the furthest reaches of the known world!  I have set up and run art clubs for children and young people at Spacex Gallery, Exeter from 1992-2014, and have also led workshops at other venues such as the Royal Memorial Museum, Exeter, CCANW, Plymouth Arts Centre, and Thelma Hulbert Gallery. My role at Plymouth University has been Associate Lecturer in Fine Art from 2005 -2015, and visiting lecturer there from 1992 (also in illustration 2003-6). Additionally, I taught History of Art at Exeter School from 2003-2006, and have run animation workshops for 'Animated Exeter' and related events from 1999 to 2009 in various schools and institutions, and helped to create short animated film with young people shown at First Light, Young Co-Operative Filmmakers and other events.

CV & Education

RECAPTURE exhibition in the historic cells at Devonport Guildhall 2018, East Devon Way artist comission 2018, Canteen at TOPOS 2018, The Garden Room Gallery, Dartington (Art.earth), 2018, On The Ground at the Chapel in the Garden, Bridport 2017, 'On the Ground' at Plymouth Art Weekender 2017, Plymouth Contemporary Open 2017, The Observatory, Exeter University 2017, SAW Open Studios, 2012, 2014 and 2016 - SAW Open Studios, SAW, Goldfinch Place, Crewkerne, TA18 7AG Group exhibitions 2014 - Recollections Thelma Hulbert Gallery 2012 - Wheels of Wonder, Visual Art Centre, Lincolnshire 2009 - film screening, Spacex Gallery, Exeter 2007 - Experimental Film and Video Festival 700is, ASU Alsager Gallery , Manchester Metropolitan University 2007 - film screening, 700is Experimental Film Festival, Egilsstadir, Iceland 2006 - Drawing Losing Your Mind (Saison Video), LAAC, Dunkerque 2005 - Hull International Film Festival, outdoor venue, Hull 2005 - Start Moving Image Festival, Plymouth Arts Centre, Plymouth 2004 - Homeland, Spacex Gallery, Exeter 2002 - Drawn Conclusions, Plymouth City Museum and Art Gallery, Plymouth 1999 - Spacex Gallery, Exeter 1993 - Compendia, small works by invited artists, Spacex Gallery, Exeter 1992 - Breakthrough, Victoria Art Gallery, Bath 1992 - News, women artists from the south-west, Spacex, touring to Truro 1991 - Four painters, Austin Desmond Fine Art, Huxham, Devon 1990 - Austin Desmond Christmas show, Huxham, Devon Curated projects 2002 - Super 8Station, Station, Bristol Residencies 2008 - B-Side 3 minute films by 4 artists, PVA Medialab , Bridport Dorset 2004 - Residency during William Kentridge exhibition, Spacex Gallery, Exeter Other 2007 - 7001S, Film Festival, Eglisstadir, Marsh Award winner for excellence in Gallery Education 2013.