Jim Roseveare
Hastings
Jim Roseveare is a Member of the Royal Society of Sculptors. Working with sculpture, installation and video he focuses on the complex, unstable and corporeal relationship between culture and nature.
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Jim Roseveare has exhibited internationally and in the UK including Istanbul Art Fair; Saatchi Gallery; Venice Bieannale; Kinokino, Sandnes (Norway); Museo MACO (Mexico); Farley Farm House; Transition Gallery, London. In 2021 he exhibited at Aspex Portsmouth (Emergency2021) ; Gallery 46, Whitechapel ; The AIR Open, Manchester and with The London Group in Waterloo. He is a member of The Royal Society of Sculptors. My art practice investigates the perception and making of landscape, focussing on the complex, ever-changing and entangled relationships between people, nature and culture. An arboricultural background of working with trees over 30 years grounds my practice in an understanding of material. Tree surgery is a form of sculpture with living entities that constantly change with cycles of growth, dormancy, decline and decay. This informs my approach to form, function, mutability and time in producing sculptures and site-specific installations.
From early nomadic life through agricultural and industrial revolution to collective utopias, people’s relationship with the environment has been multifarious, encompassing elements of fear, containment, productivity and exploitation, alongside guardianship, awe and ritual worship. In response, my work investigates how people respond to the contemporary and forthcoming social, political and environmental challenges of the Anthropocene.
Many of my sculptures incorporate concrete, organic materials and debris swept from surrounding ground surfaces; seeds embedded within may germinate and sprout new life as other materials decay. Precariously balanced blocks use kinaesthetic tension to unsettle or provoke curiosity, while modular and standardised building materials evoke the scale and contingency of the human body. I explore the boundaries of conventional fabrication, integrating decay and renewal; techniques that elicit a sense of reverse archeology and industrial fossilisation, evoking environmental change and deep time.
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