Approved: 28.11.2011

James William Murray

Artist, Lecturer / academic, Project manager, Writer

Approved: 28.11.2011

Artist Statement

b. 1988, lives & works in Brighton UK. 

James William Murray is an artist, curator, and educator. He received an MA in photography from the University of Brighton in 2015 and has exhibited in the UK and internationally. His work is in the collection of the Hellenic Centre For Photography and private collections throughout Europe. 

In 2017 Murray co-founded the studio and project space Niagara Falls Projects in Brighton UK. In 2018 he was awarded the Sussex Open Commission to produce a new large-scale work. In 2019 he was selected for an artist residency at Towner Gallery Eastbourne UK. 

His work is represented by Stephane Simoens Contemporary Fine Art in Knokke-Heist, Belgium

Artist Statement

I find desires for the materiality of art objects, and desires for the corporeality of my lovers become increasingly entwined as I further orientate towards my identity as an artist and queer polyamourous man. I’ve come to see the process of developing my creative practice, and that of nurturing intimate relationships, as my life's work – a vocation that provides opportunities for privileged points of contact with the material world. My studio practice explores this active process through an investigation of form, material, and space. 

My conceptual thinking is underpinned by an MA degree in photography, specifically with regard to ideas of mediated touch and indexical trace, which I explore in relation to my principal artistic concern. My work quickly expanded out of the medium of photography into painting and sculpture, and I now work at intersections between these three primary media. My artworks are necessarily ‘imperfect’ objects, which reveal evidence of human touch and the physicality of their making. I have a keen interest in both classicism and modernist minimalism for their singular and inextricable relationships to the body, controversial masculinities, and architectural space. I have found juxtaposing austere minimalist and classical formalism to be both productive and challenging. 

I continually contemplate ways in which desires for the sensuality of lovers are deferred on to art-objects, and conversely how bodies are subjected to the same kind of objectification as works of art (I recall the story of the Corinthian Maid, Pliny's mythical origin of the graphic and plastic arts, in which a young woman traces her departing lover's shadow. The drawing is then used as a pattern for a ceramic semblance, a surrogate object – an art-object – to stave off the trauma of romantic loss). My works are often named after beloved individuals, and the men in my life, past and present (desire doesn’t follow a linear trajectory). The act of naming works after specific people has become a personal process of mapping and memorialising alternative modes of intimacy, fraternity, and kinship. 

I’m interested in spatial dynamics between bodies and art-objects – why we are orientated towards some more than others, and how these relations are activated and perpetuated within different contexts and specific environments (e.g. studio, gallery, public, and domestic spaces). My graphite works, made by buffing handfuls of powdered material into linen and ply panels, have elusive surfaces that appear to extend space and elicit the desire to touch. The suggestion and activation of spatial dynamics between viewers and art-objects aims to heighten awareness of one’s corporeality and embodied experience, i.e. what it means to be positioned within a given space in relation to external objects. This, I feel, has great potential to open up alternative and ultimately more nuanced questions of gender, sexuality, and the erotic than figurative image-based art. My thinking here is largely informed by Sara Ahmed’s Queer Phenomenology and the emerging discourse of ‘queer formalism’.

I have a keen interest in geometry and formal abstraction, and have developed various generative frameworks for my practice. The 2:1 grid is a recurring motif, which provides a scalable and modular format for the exploration of space, form, and material. The vertical ‘double square’ ratio is intended to evoke a body or bodies standing or lying side by side. Conceptually, this series of works departed from Lacan's metaphorical 'screen', to which Roland Barthes’ touchstone work on desire, materiality and the photographic image Camera Lucida is indebted, hence another deep-seated connection to photography. Within the poetic space of Lacan’s archaic and problematic theories of psycho-sexual development (which much queer theory has been written through and against, ironically) I have found new opportunities to reinterpret, appropriate, and develop my practice.

These are some of the ways in lived queer experience and notions of desire are inscribed within my working process, both subjectively and in relation to established theory. 

CV & Education

Solo & Two Person Exhibitions
Lingering (two person exhibition with Philip Van Isacker) Stephane Simoens Contemporary Fine Art, Knokke BE 
ideal-i (two person project with Alexander Glass) Niagara Falls Projects, Brighton UK
Ain't Nothing Like The Real Thing (solo exhibition) Stephane Simoens Contemporary Fine Art, Knokke BE
Desire Works (solo exhibition) Project 78, St Leonard's by Sea UK

Selected Group Shows
Salon, University of Brighton UK
On The Stretcher (with Jesper Skov Madsen Maximilian Schubert,  Luc Vandevelde), Stephane Simoens Contemporary Fine Art, Knokke BE 

Sussex Open 18 (commission) Towner Gallery, Eastbourne UK
Marks Make Meaning, (with Rachel Whiteread, Antony Gormley, Irvin Pascal, and Mark Wright), University of Brighton UK
Editions Project 78, St Leonard's by Sea UK
Sussex Open, Towner Gallery, Eastbourne UK
Old 16 / New 17 (with Berend Strik, Ross Hansen, Laurent Da Sylva), Stephane Simoens Contemporary Fine Art, Knokke BE
Screened, Ardesia Projects group show for Brighton Photo Fringe UK
East Sussex Open, Towner Gallery & Museum. Eastbourne, UK 
NYC Art Book Fair (portfolio presentation) Daily Life Storage MoMA PS1. New York, USA
Athens Photo Festival (photo/artist book exhibition), Benaki Museum (Pireos Annexe), Athens GR 
Unit 8 Open Studio, Brighton UK
After Desire MA degree show, University of Brighton UK
Buzzed Phillips Auctioneers, London UK 
London Art Fair - Axis project stand, Business Design Centre, London UK
Beneath The Walnut Tree (project with Fiona Alison), Utrophia Project Space, London UK
200 Faces Kingston House, Birmingham & Quayside Tower, Swindon UK
Bread & Roses Motorcade Flashparade - Part of the Bristol Biennale, Bristol UK
Miles Km Bussey Building, Peckham, London UK
Basement, The Regency Town House, Brighton UK 

Curated Projects
Not The Dead Spit, two person project with Sophie Barbber and Georgia Hayes, Niagara Falls Projects Brighton UK
Celestial Body, Spiritual Earth Joseph Long solo project, Niagara Falls Projects Brighton UK
Is this wet p*$$¥ remix no get enemy, nothing like this love that I’m feeling Irvin Pascal solo project, Niagara Falls Projects Brighton UK
E2 - E4 Jacob Clayton solo project, Niagara Falls Projects Brighton UK
She Melissa Campbell solo project, Niagara Falls Projects Brighton UK

2018 - Review of ideal-i by Geoff Hands
2017 - Supplément à La Libre Belgique - N°25 
2017 - Photoworks online showcase
2017 - Miniclick - Interview
2017 - Photography & issue #1 
2016 - YET Magazine issue #10 Studying Photography by Joanna Lowry
2016 - Self Publish Be Happy - online feature
2016 - Mull It Over - Interview
2016 - Ardesia Projects - online feature
2016 - Ardesia Projects Annual - Essay by Benedetta Casagrande
2015 - Art Can't Change The World - collaboration with Dionysis Livanis
2015 - Photoworks MA graduates Showcase
2015 - Source Photographic Review
2015 - An Impossible Task: On James William Murray's Beheld by Seán Padriac Birnie
2015 - After Desire: essay by Joanna Lowry

Talks & Teaching

2017 - present Visiting lecturer on Fine Art BA at Hastings University Centre UK
2017 - After School Club artist talk at University of Brighton UK
2017 - Miniclick Photo Talks, Brighton UK
2016 - Alternative Perspectives artist talk at Towner Gallery. Eastbourne UK
2015 - 2016 - Coordinator of Unit 8 peer crit sessions. Brighton UK


Private collections UK, USA, BE, NL, FR
Hellenic Centre for Photography GR
SPBH artist book collection UK

2019 - Artist in Residence. Towner Gallery, Eastbourne UK
2018 - Sussex Open 18 Commission Award