The work consists of flame worked borosilicate glass words suspended on s/s wire. The randomly hung sentences condense into two concentrated forms which relate to each other across the space. Spotlights and photographic projections cast ambiguous shadows on translucent paper screens. The words, arising in response to S Beckett's Worstward Ho, hover in the space and the whole becomes a space for contemplation of the Void as interpreted by the viewer.