Helen Snell


Approved: 16.08.2006

The focus of my work is the relationship between hand making and digital making, craft and fine art, the unique and the mass produced. I am fascinated by the concept of the imperfect edition and in the production of the repeatable physical artefact. My work explores how extensively the digital file, that exists only virtually, can be downloaded to be manufactured through an ever expanding range of outputs and processes.  By exploring the concept of the multiple and issues of authorship, I hope to reflect on the intrinsic value of the material and edition size as markers of a political agenda. 

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