self-taught artist / performer / writer. active involvement in disability arts. many short films commissioned or the results of residencies have received numerous screenings worldwide including ur's for kurt schwitters - finalist in 100 years of dada at the ica, london, 2016 c.e.. stitching petals to lead was launched at our solo show of the same name - fokidos, athens in association with alma zevi, 2017 ce. numerous previous exhibitions ov visual poetry including still alone in her voices (so far toured to newcastle, stockton, liverpool & belfast). sound-art includes 2016's commission from radiophrenia lonecrow make some hullabaloo and the same years švejk's journeyings - responding to obscenities of world war one thru eyes of 'the good soldier švejk' - launched at the international artists anti-war exhibition #b-side, casarsa della delizia, italy
current solo exhibition - is that a bruise or a tattoo? with alma zevi venice - photography, sculpture, sound art, visual poetry & performance
a decade performing - including channeling 'mad, bad, rad & bi' mary wollstonecraft for the mac, birmingham in association with dash & the live art development agency, 2017 c.e.. mary was called hyena in petticoats by the con party of her day - our performance celebrated these days we are hyenas in petticoats all
what concerns us is who controls narratives & who gets silenced. we regularly 'reclaim the languages of lunacy' challenging the privileged storytelling of psychiatry. canon (all canons) are dead, its bandwidth now on in. narratives liberate or control - we are surrounded, often defined by narratives, yet can use them to liberate ourselves & others
CV & Education
'18 squarepegs into roundholes. (reducing psychiatry to firewood before handing out the resist ants). pug, newcastle upon tyne
'18 c.e.fill yer gob first then speak for maximum effect. thanks to cpt for support
trailer at http://www.dailymotion.com/video/x6gugbq
'17 we are all hyenas in petticoats these daze. premièred awkward bastards 2, mac, birmingham in association with dash / lada
'17 after unexpropriated (yannis ritsos.) premièred fokidos, athens.
'16/'21 with added nuts. touring show which 'reclaims the languages ov lunacy'
'12 psychosis belly. m21 unlimited funded disability arts festival, much wenlock
dvd from live art development agency includes highlights of our performances
'11 - '16. cracking up : durational performance opening space for exploring mental distresses
'10 napalm perceptible. activist residency with live art development agency / stanley picker gallery
18 marx&angels. 10'09''. premiered stockton contemporary, teesside
'17 rant-north. 30 minute radio broadcast for radiophrenia / cca
'17 aka the bees sleep. commissioned by celf mid-wales. broadcast radiophrenia, helicotroma venice, radio borealis bergen 16 lonecrow make some hullabaloo. internet radio commission radiophrenia, re-broadcast resonance fm (london) & borealis radio (norway)
'17 aka those ov us who have learnt to love our madnesses. 16'06''. electroacoustic composition made from sampled medications
premièred meeting place, perth, arts access australia
'16 švejk's journeyings. 15'12''. response to obscenities of world war one as seen thru eyes of 'the good soldier švejk'. part of international anti-war artists exhibition.
b#side, italy https://soundcloud.com/gobscure/svejksjourneyings
selected artists films
'18 gregor samsa awake. first shown adf belfast, was finalist in altff spring 18
'18 moths &rust. mission gallery swansea in association with disability arts cymru
'17 stitching petals to lead. https://vimeo.com/194808029
premièred fokidos, athens as part of solo show of same name
'16 jezebelofthewaters / cello rain twelve. premièred facade video festival, plovdiv, bulgaria
'16 ur's for kurt (schwitters). 100 years of dada finalist, ica, london https://vimeo.com/162196747
'17 16/10. premièred medff, sircusa, sicily
'15 seven short films about madness. premièred making sense of mad studies conference, durham university
'15 firing the can(n)on. commissioned by dash premièred mac, birmingham (awkward bastards)
'14 bang! performance to camera. commissioned / premièred tullie house gallery, carlisle. http://www.prismarts.org.uk/whats-on/archive/tullie-house/
'13 sabled. developed as part of residency, celf, mid-wales
18 c.e. bi land & bi water. body of work - film, sound, visualpoetry, performance, artists book etc commissioned for curious - north-east englands lgtbtq arts festival
'18 c.e. is that a bruise or a tattoo? solo exhibition. alma zevi gallery venice
18 c.e. screwloose / stil alone in her voices. adf, belfast.
17 .c.e. prisong. solo visual poetry exhibition, disability history month, london
17 c.e. nudging meteors. art house, wakefield - culmination of major (changemakers funded) residency with solo exhibition, performance, broadside, publications & online work
17 c.e. stitching petals to lead - solo exhibition. fokidos 21, athens, greece
'17 c.e. ur's for kurt (schwitters). part of no dada left, refugees museum, thessaloniki, greece
'16/'21 still alone in her voices. now touring. https://gobscure.wixsite.com/alonestill
'13 pharmageddon. oriel beaumont. llandrindod wells
'11 semtxt. oriel beaumont, llandrindod wells
lulu print on demand publications, mainly visualpetry. http://www.lulu.com/spotlight/gobscure
'16 in incorrigibles: perspectives on disability visual arts in the 20th/21st centuries. dash.
'10'/11 major disability arts residency plus performances, interventions and exhibitions 'reclaiming the languages of lunacy' - new art gallery, walsall / dash
'artist immersed in a wide variety of art-forms, whose work continues to defy pigeon-holing crossing visual, performance, literary and digital art forms with ease and uncomforting elegance. An abiding concern within his work is the disconnect between hierarchy and human rights. Often playful to the point of frivolous, as in his series of work that ‘may contain nuts,’ he is also capable of writing and producing arresting theatre that cuts to the quick' colin hambrook, dao
as mike layward, artist director of DASH says : 'In these dark times when inspiration, imagination and hope are rare commodities I can rely on gobscure to come up with these three essentials and to do this with the other essential - humour. I have known their work since 2005 - films, spoken word, live art performances, visual art and theatre. '
alma zevi, alma zevi gallery venice / celeron. We are dealing with the antithesis of all that is mass-produced, commercial; one needs time to engage and to listen to the work. It might even help us to listen to ourselves. Indeed, the work is deeply personal and perhaps gobscure does allow us to start to ‘get to know him’ through his work. He exemplifies the idea of a self-taught artist, while being far from an outsider artist, as he is so incredibly well-read and knowledgeable. Notably, this does not render his work in anyway over-intellectualised. Instead, there is a democratic essence in his practice in the way that it is available to all through the websites vimeo and creative commons.