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Fionn Wilson

Southgate
Figurative painter and curator

My practice is focused primarily on transforming paint into something that can carry an emotional resonance. I like to feel my way to a subject. Sensuality and the physical joy of painting is very important to me.

I work very quickly, sometimes using photographs as reference material (ideally photos I’ve taken myself) whilst never attempting to simply recreate the image.

Most of my work is portraiture, but I also paint landscapes and still life. I particularly like to paint urban landscapes depicting existential loneliness and alienation. I’m fascinated by astronomy and the night sky and the relationship between Venus and the moon.

Transcendence is also important to my practice. I like to explore physical beauty, along with sexuality and glamour. I especially like to paint women and I view the female body as somehow supernatural. The women I paint often seem sphinx-like or masked — their beauty a riddle.

I’m also interested in how people organise different frameworks of belief, be this political, spiritual, or philosophical. I find people of conviction compelling to paint (whilst not necessarily being in agreement with their ideas).

Self portraiture is an important element of my work and I constantly reevaluate where I am with my creative process through painting myself.

I started painting in 2010. Before then, I’d never even considered painting. When a close friend of mine suggested I started painting I thought it was the most ridiculous thing I’d ever heard. Now, painting has become almost everything. If I’m not painting, I’m thinking about painting.

I’m never happy with what I paint, but I think this is a good thing as it only makes me more determined to carry on until I paint something which I will be happy with. I think everyone can paint, you just need to want to enough. I think creativity is a vital part of our lives and mental health. Just the act of creating something – anything – is worthwhile

 

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