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Denise Startin

Leeds
Artist, writer and researcher
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Denise Startin is an artist, writer, and researcher who stages an interdisciplinary and performative archival practice through embodied fieldwork, dramatis personae, and the politics of memory. Working across moving image, photography, installation, site-specific interventions, and performance writing, she explores how archival fragments, textual, visual, and artefactual, can be reinterpreted through sensory gestures and narrative slippage. Her work reframes the archive not as a static repository but as a haunted, migratory space, one that moves across media, bodies, and temporalities. Through walking, (re)collecting, re-enacting, writing, re-citing, reciting and remembering, she activates the landscape as a mnemonic terrain and the archive as a site of negotiation, where memory is contested, reanimated, and re-authored.

Central to her methodology is the use of dramatis personae who act as narrative interlocutors, structuring devices and speculative tools that enable a slippage between researcher and archive, past and present, fact and fiction. These rhetorical figures operate as explorers, (mis)guides, and mnemonic surrogates, enabling a mode of fieldwork that is both materially grounded and imaginatively expansive. Through them, the archive becomes a vehicle of resonance, resistance, and reimagination, staging historiographic instability and opening space for embodied speculation, where gestures of citation are enacted rather than merely recorded. Her current research, undertaken as part of a practice-based PhD at the University of Leeds, is situated in Brontë Country, West Yorkshire, and investigates place as a medium of cultural memory and a terrain where bodies, landscapes, and narratives converge. The work privileges fragment, rupture, and affective resonance over institutional fixity, proposing a methodology of situated refusal, a way of inhabiting the archive without claiming it. This approach foregrounds the politics of memory, whose stories are told, whose gestures are preserved, and insists on the archive as a live site of encounter.

 

Letters to the Landscape

Under Pressure

The Labour of Love series

Borrowed Light II

Borrowed Light I

Say Hello, Wave Goodbye

On the Rocks

Rush Hour

Rock Bottom

Chalet Days II

Chalet Days I

Catching Flies

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