As a curator I am driven by a desire to create new dialogues between artists and art works. My projects are context specific and often concieved in response to a particular site, location or community.
Since 2014 I have had a collaborative curatorial practice with Rosie Allen, our projects organisation is Field Notes CIC. Our mission is to support both emerging and established artists to develop cutting-edge practices linked to local communities and wider cultural contexts.
As an artist my work deals with the psychological possession of geographical space, responding to the layers of human meaning and integral histories of sites. Examining history in a non-linear fashion my work urges the viewer to consider the past as a continuum in which concepts recur.
CV & Education
Qualifications and training
2013 - MA Curatorial Practice, Falmouth University
2007 - BA Hons Fine Art, University College Falmouth
2003 - Foundation Art and Design, Central Saint Martins, London
2009 - Here We Stand, Happidrome 3, Goonhilly Downs, The Lizard, Cornwall
2009 - This Land is My Land, Part of, Requiem for a Bridge, T1+2 Gallery/Hive Projects, Balckfriars Bridge, Northbank, City of London
2014 - Liminal Residency Exhibition, TAP, Southend
2014 - Who are CMR, CMR, Redruth
2012 - Sluice Auction, Hanmi Gallery, London
2010 - I.W. +1, Hive Projects, 8-10 Greatorex Street, Whitechapel
2010 - Idle Women, Hive Projects, 8-10 Greatorex Street, Whitechapel
2009 - Everything Must Belong, Lauderdale House, Highgate
2009 - Skinflint, Lewisham Arthouse, London Public commissions
2012 - En Route, The Theatre Royal Stratford East, Multistory Car Park Stratford East
Inclusions in Publications
2014 - What is an art book? Volume 2, The Modern Language Experiment
2011 - Chair, Professor Anne Massey
2008 - Revolver Art Cornwall, Jesse Leroy Smith & Volker Stox