Andrew has worked consistently with colour exploring different processes and methodologies including printmaking (The Surface of Colour 2001); collaboration, in establishing links with international partners (Galicia 2002, Macedonia 2003, Mexico 2004, Poland 2004 and Australia 2009) and public art projects (Barry 2009, Cardiff 2010 and Russia 2011). He studied at Norwich School of Art and Camberwell UAL and has taught part time throughout his career. In 2016 he curated a major project exploring studio practice involving 16 artists working with the art collection at Amgueddfa Cymru National Museum Wales.
CV & Education
2016 R E-T A K E / R E-I N V E N T, Storiel Bangor, Oriel Ynys Môn, Royal Cambrian Academy
2016 El Arreciado V International Wool Sculpture Symposium, Spain
2015 Real Time Art From Wales, CAM Casoria Contemporary Art Museum, Naples, Italy
2015 Edge of Colour II, Ucheldre Arts Centre, Holyhead
2015 RCA in Cardiff, Kooywood Gallery, Cardiff
2015 Royal Cambrian Academy 133rd Annual Exhibition
2014 In and Out of the Citadel Galeria Kobro, Akademia Strzeminski, Lodz
2014 ‘9’ The Presence of Absence. Llawn 02, Llandudno with Llandudno Museum, RCA and Culture Colony
2014 Royal Cambrian Academy 132nd Annual Exhibition
2014 One Alfred Place with Store Street Gallery, London W1
2014 Royal Cambrian Academy Open 2014 – highly commended
PUBLIC ART PROJECTS
2014 Seven Traces Contemporary Arts Festival, Caernarfon in association with Bocs
2013 WAVY BANNERS, ET4U contemporary art, West Jutland, Denmark
2011 LONG STORIES FOR PERM: SPEED OF COLOUR. Perm, Russia. Public Art project with Museum of Contemporary Art Perm.
GRANTS & AWARDS
2014 – 17 Arts Council of Wales, Large Organisation Grant for project RE-TAKE/RE-INVENT
2014 - 2016 R E-T A K E / R E-I N V E N T. Curator and Project Coordinator. 16 artists make new work from Amgueddfa Cymru - National Museum Wales collection with partner galleries Oriel Ynys Mo^n; Royal Cambrian Academy, Storiel.
2016 Re-take Re-invent: Engaging Studio Practice for Learning: New Art from Past Art. AD National Society for Education in Art and Design, Autumn 2016 Issue 17, p.26. ISSN 2046-3138
2015 The Conversation. Editor’s Choice: The world’s most expensive painting is too sexually explicit for Fox news