Artist search

Concepts Julie Brixey-Williams is a British artist who lives and works in London, where she has exhibited regularly. Her work explores the relationship that the body shares with space and architecture and the gestural marks that we leave behind. Working in various media, including photography, video, installation, performance and drawing,...
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Using tools of performance and image making, my practice adopts an approach of practical philosophy. Combining dialogical methodologies and performative strategies, the work centres on the nature of the image and sets out to create an encounter that goes beyond representational means, towards a more experiential engagement. By creating...
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My ongoing work reflects my evolving practice working across various media and contexts through installation, three dimensional form and site-specific works. A broad materials based background and artistic vocabulary which embraces photography, film and soundworks form the basis of my hybrid practice. Current works address the interplay...
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I'm interested in questioning the fixed identities of objects and materials so they defy usual definitions and expectations, or, as the artist Tom Friedman has said, 'Testing what matter is by allowing it not to be'.Central to my practice are ideas of displacement: is the location of material central to its definition so that if it is...
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'I’m interested in self perpetuity and relentlessness; the broken record with a repetitive sensibility. It’s a selfish indulgence to crack the ‘same old joke’ that was perhaps never really funny in the first place. I find it gratifying to blur the border between humour and sincerity, and to recycle a pun doggedly; devoid of...
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Landscape, Place and Memory The Attic Gallery, 26 High Street, Pinner, Middlesex HA5 3rd November and 5th – 8th November 2012 The images of landscape in this exhibition describe places once or many times visited. The terms place and memory refer to concepts which are used to interpret a landscape image. Influenced in part, by 19th...
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I'm making art for over 20 years by now. For the last 10 years I devoted mostly my work for a public realm. I work with different kind of materials, mostly steel but also I use balloons with gas, kinetic motion or projection. I don't perceive my work as a ritual; There is no absolute, or no another steady point in art. The art is partly an elusive...
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My practice considers where our disenchanted, secularised world a sense of the religious fails to be suppressed, either through unacknowledged ideological attachments (a dogmatic sense of what is correct or true) or through the seductive, mesmerising appeal of contemporary art.  The work arises from a fascination with the rhetoric...
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Andrew Burton's most recent work explores bricks. Working in Britain, India and the Netherlands, he formed thousands of tiny bricks from clay and constructed these into various sculptures. Each sculpture would be painted or glazed, but then broken up and its constituent parts used to form the next. In this way the sculptures are continually...
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I work from the close examination of the photographic image or extracted film still, derived from the surveillance, documentation and scrutiny of various locations. Carefully selected resource material is either used in isolation, in sequence or spliced together to make fictional scenarios, which form the basis of paintings, drawings,...
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Lisa O'Brien's performance and installation work stems from her interest in sound. In the 80's she studied Expressive Arts at Brighton Polytechnic which included components in music composition, performance and sculpture. She developed an interest in working with instruments and vocals and much of her subsequent composition and performance...
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What breathes? (Reflections on the art of Clara S Rueprich by Jan Kuhlbrodt, 2004) In his late work written in the mid-seventies, Experimentum Mundi, Ernst Bloch describes nature simply as the outside, where there is an enigmatic breathing, with the question „what breathes?“ occupying an impersonal gap. The outside definitely...
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Martyn Cross presents us with a disturbing and weird world, one where joy and innocence appear infected with dark thoughts and actions. Often using the covers of found knitting patterns as his canvas, brightly coloured images of happiness and comfort are disfigured and despoiled so that their subjects find their newly knitted garments covered in...
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My current practice explores human and nature relationship. In my artwork I examine different possibilities in interpretation of human alienation from nature by hinting at consumer lifestyle as a probable reason. My work implies landscape elements, regarding landscape as a portrait of nature. Landscape can be looked at as a focus for the...
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Ryan McClelland was born in Liverpool in 1978, he moved to London in 1997 to study at Camberwell College of Art, subsequently studying at Goldsmiths College and then obtaining his MA in Fine Art Printmaking from the Royal College of Art in 2007. His work has been exhibited internationally, including exhibitions at the Oscar Neiymer Museum in...
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The main interest of my studio based practice is a questioning of how information and images are structured, performed, remembered and retold for us and by us through representations, and the effect this has on our interior and exterior experiences.  The images and information I...
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Rabab Ghazoul is a visual artist whose practice draws upon a range of media to explore our negotiations and constructions of the political. Part social observation, part investigation into the realm of public narrative, her work often sees her referencing or re-staging chosen ‘texts’ – from news media footage to an existing art...
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Initially worked as an Architectural Assistant for the Greater London Development Plan with the County Borough of West Ham Architects Department. Studied photography at the South-East-Essex Technical College after being a Senior Photographer with Army Public Relations in Cyprus in the 1950's during the period of the EOKA campaign. Working on a...
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My practice is a pictorialist one, involving mainly photography, painting and drawing, underpinned by the legacies and practices of conceptualism. In this way, I aim to work in and around issues of picturing, photography and realism as a set of problematics. Commentators have remarked upon my works' Romanticism but also its schizophrenic...
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My practice investigates architecture, urban spaces, and the city’s relationship to contemporary art practice. Working across painting, photography, installation, video, sound and curation, works and projects explore the transitory and contradictory nature of cities, and address the physicality and social history of urban spaces. Ideas and...
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In my work I use, adapt and transform domestic objects and create sculptural forms that are inspired by a variety of elements drawn from social and personal histories. I also create immersive installations that use craft elements, drawing and photography drawing on traditions of assemblage and installation.  I am interested in ideas...
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I wander at the edges, a flaneuse, observing, seizing fragments by drawing swiftly or using a video camera, and I express my ideas in a personal way employing a diaristic confessional mode that communicates clearly to reach the power of universal meaning, and to engage a wide audience. Educated in the sixties; empowered by feminism and by...
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My work explores the concepts of power, politics, history, identity and death through irony and humour. I am interested in how they influence beliefs and perceptions by altering and subverting them. From here derives the desire to further explore the need for uncertainty and the metaphysical loneliness of the human being, addressing such...
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With a mixture of cement, filler PVA and oil paints I build brick walls on board. I carve in intricate bricks using a knife and nails to bring about a textured and tactile surface, into which I can scratch, literally attack, make marks and onto which I can apply different painting languages. Graffiti is one kind of mark making I explore in my...
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My diverse art practice is united by ongoing research exploring the relationship between images created for public or personal consumption, focusing on the language of domestic photography. Traditional family album images are shaped by strict, but generally unacknowledged, conventions that form a series of fixed narratives. Within my practice...
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Most recently, Jenny Parkin has been using architectural figures and cheap party food - custard, jelly, doughnuts, etc - to create little stage sets for her camera around themes of greed and consumption. In other work she has recycled and remade things that are already out there in people's homes and lives. She considers the history of...
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Jeannie Driver creates installations, sculptures and 2D work from the ubiquitous material of waste paper. The relationship between the material and ideas is central to the work and provides an alternative visual and physical experience of the material that references ideas of bureaucracy, systems, flow, waste and resource. The actual paper...
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Reading his palm Bob and Roberta Smith declared Daniel Lehan to be: The Most Stubborn Artist I Have Ever Met ! Frog Morris - Curator, Poet and Performer - says:  Daniel's works often begin with simple instructions that any man, or woman, in the street can follow: ‘Make a sign saying what you want’, ‘write...
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Concepts Victoria Rance’s work is concerned with the exploration of human behaviour and the boundaries between the self and others. It investigates human interaction within different physical and social environments. Her work creates a sense of place, encouraging people to become more aware of their body in its physical environment....
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Plane wreckage falls from the sky after fifty years; enigmatic objects are found littering the earth; the cockpit is a riddle of dials impervious to interpretation. The drawings and objects here use a vocabulary of motifs: plane; bunker; tower; clearing; sky and sphere with materials that carry a weight of meaning such as ash, gold, lead,...
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Text Art The Uncertainty Series is an ongoing body of work that mimics the ‘track changes’ function in word processing programs. This format allows Charnock to reveal the doubts she experiences during her art-making – giving solid form to meandering and often contradictory thoughts. An installation at Mid Pennine Gallery took...
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New statement pending. Claire Hope: Artist of the monthEach month a guest selector chooses an artist from the Axis directory to be featured as our artist of the month. This month Ben Cook, founder Director of LUX, discusses his selection.Claire Hope is an artist for modern times, working at the hard edge of language and power relations, highly...
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