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Concepts My interest is in expressing the beauty and mysterious qualities within landscape -colour, light and pattern. Expression is fairly loose and non literal, moving more towards abstraction. Influences Earliest-Samuel Palmer's sepia ink drawings; Nash, Lanyon, Hitchens - but for colour, Matisse and Bonnard and for colour and...
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As a painter, the physical process of transformation has always been a significant part of my practise. The physical properties of paint or materials used, and the the way they adapt or change as the transformation takes place, creating a sense of spontaneous aesthetic balance. The creative act becomes part of how the work is interpreted, and...
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I'm interested in how forms and spatial relationships hold onto meanings, even when abstracted away from the world. I see my method as a form of phenomenology; as a way of grasping the world of phenomena and their meanings and as an exercise in stripping away the extraneous to arrive at the essences of (visual) experiences. A writer who has...
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Concepts My ideas emerge from my technique, which is an arbitrary application of free flowing colour and form. I explore patterns of elements with the potential to become developed into new entities. My selection and manipulation of what I consider the most vital parts of the "serendipitous whole" are inspired by what I might see as...
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