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Trinity Buoy Wharf Lighthouse, London (location for 'Longplayer'), 2000 David Rooney: Jem, we're sitting here in the clock workshop of the Royal Observatory, Greenwich, talking about some of your recent projects, including 'Longplayer' (2000). What is 'Longplayer', and what are visitors hearing in the lighthouse...
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Antony HallENKI Prototype, 2006 Chair: Verity SlaterPanellists: Lise Autogena, Anna Dumitriu, Simon Gould, Antony Hall, Paddy Hartley, Phillip Warnell. An...
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Andrew Bracey, Louise Bristow, Joannna Chapman, Jo Coupe, Steve Dutton and Steve Swindells, Tim Machin, Manuel Saiz, Simon Woolham, Mai Yamashita & Naoto Kobayashi.   Tim Machin 'On the Beach', 2002 Pencil crayon on newspaper   the artist...
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The most basic ecology of the contemporary art scene would place the uber Contemporary Art Museum at the top of the food chain, with dealers, collectors, art fairs and biennales scrapping it out for second. Next up would be the galleries, art prizes, art magazines, journalists, funding bodies and the spaces the support jostling for...
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'Hughes doesn't need to touch the walls to evoke an image of abandonment and decay; his sculptures, which often represent neglected furniture and other apparently worthless objects that have had contact with bodies, charge the entire space they're in'. (1) Richard Hughes' practice reflects the more prosaic aspects of urban existence, using a...
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Suki Chan 'Houses', 2006 Installation, Plymouth 2006 Black Skin, White Space The artist and self-orientalisation Erving Goffman, in The Presentation of Self in Everyday Life states: When an individual plays a part he implicitly requests his observers to take seriously the impression that is fostered before them....
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The most basic ecology of the contemporary art scene would place the uber Contemporary Art Museum at the top of the food chain, with dealers, collectors, art fairs and biennales scrapping it out for second. Next up would be the galleries, art prizes, art magazines, journalists, funding bodies and the spaces the support jostling for...
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Simon Le Ruez 'Any Given Sunday (Bike and Bootlace)'2004 Net curtain, plaster,tea and ink the artist 2005  Rachel Goodyear ...
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ConceptsThe whole world + and the work = the whole worldCareer pathQualifications: 1990 BA Hons, Fine Art, Slade School of Art, LondonTeaching Experience: 1995 Visiting Lecturer, Fine Art Department, Chelsea College of Art and DesignCollections: Arts Council of England, CollectionStarkmann Ltd, LondonSaatchi Collection, LondonB and L Polla,...
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Keith Piper and Donald Rodney 'The Next turn of the Screw' (detail), 1987Photo credit: Eddie Chambers This article will look at how two artists - Keith Piper and...
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  Gareth JonesInstallation viewCubitt, London, 2003   Jon Wood:   You were talking earlier about making work and displaying work, about being a curator, being an artist, and being a writer. Perhaps you could...
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