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My work is primarily concerned with investigating notions of nostalgia and souvenirs, reconstructed memories and our relationship to moments of history. I am interested in why and how we construct our own private worlds, evoking a sense of the 'other', and meditations on things that have passed.I work across a range of media, most recently...
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Concepts My ideas are developed from my thoughts on the relationship between humans and the landscape, how we manipulate our natural surroundings and the impact we have on the environment. I am also interested in how nature adapts to urban landscapes. Influences Environmental issues, human effect on landscape, botany, architecture.
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My work is ‘An enquiry into the appropriation and use of second-hand imagery as a catalyst to the production of works that investigate ideas of meaning, language and authorship . I use the vehicles of Semiotics and Postmodern themes in an attempt to explore and respond to discourse around shifting concepts of language and its anticipated...
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I’m interested in the exploration of place through the residues and traces of everyday actions.My practice explores instances of unintentional collaboration between people - with a particular focus on the detritus of contemporary urban life. I aim to create work which involves a subtle shift of focus, or transformation, moving the...
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The methods of creation I use are always simple, that I can do myself using basic tools such as glue, thread and scalpels, to create, or more often, create changes in objects. The 'alterations' I make stem from innocent observations, double meanings, or taking the meaning of something literally. I am guided by the material or object and what it...
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My current practice is essentially focused on the human form and more precisely the human head. I have explored ideas and notions surrounding the perceived representation of the head, as in portraiture or more concisely to convey the objectivity of the subject, rather than the subjectivity of the sitter.I agreed with Gerhard Richter's...
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The paintings centre themselves on aspects of interior and exterior space, mainly that of modern commercial and institutional space.  The space that informs the work is mainly personal to myself in that there is a memory or a sense of nostalgia; this is needed for a psychological engagement to occur, from which work is made. The work hovers...
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