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Concepts My constructions reflect my admiration for the natural world. I expand the minutiae of plant and sea life to challenge and dominate the viewer on a human scale. A 5cm developing leaf becomes a 2m sculpture. 'Coelenterates' were first constructed for a gallery commission as an installation, they are based on sea coral. I have since...
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When we gaze at a portrait, why do we see a face rather than the collection of lines, shapes and colours on a flat surface it’s actually made from? This is an extreme example but it highlights the slippery nature of the gaze, rooted as it is in fantasy and flawed notions of reality, revealing how susceptibile it is to manipulation. The act...
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My training is in Fine Art and I work between two disciplines, painting and mixed media textiles. Erasures, fragments and layering are concepts which mark the passing of time. As I gather new resources from old, I build up new pieces almost like an archaeologist, organising and rearranging fabrics, paper and images using stitch, dye and...
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My work explores the concept of making the invisible a visible reality through art, and thus expose the patterns of chaos. I am a SciArtist. All my pictures are entirely invisible to the naked eye and lie beyond the range of ordinary vision. I experiment and research micro crystals of various chemical compounds, some of which are medicinal...
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My practice is largely site specific and interdisciplinary, with a focus on the potential for engagement in transient spaces such as supermarket checkouts, lobbies, queues and street corners.My work often starts from an architectural and sociological point of view and materialises into subtle and discrete urban interventions which floats between...
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