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12 artists found

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David Harker

Landscape, Place and Memory The Attic Gallery, 26 High Street, Pinner, Middlesex HA5 3rd November and 5th – 8th November 2012 The images of landscape in this exhibition describe places once or many times visited. The terms place and memory refer to concepts which are used to interpret a landscape image. Influenced in part, by 19th...
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Kate Pickering

My practice considers where our disenchanted, secularised world a sense of the religious fails to be suppressed, either through unacknowledged ideological attachments (a dogmatic sense of what is correct or true) or through the seductive, mesmerising appeal of contemporary art.  The work arises from a fascination with the rhetoric...
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Ryan McClelland

Ryan McClelland was born in Liverpool in 1978, he moved to London in 1997 to study at Camberwell College of Art, subsequently studying at Goldsmiths College and then obtaining his MA in Fine Art Printmaking from the Royal College of Art in 2007. His work has been exhibited internationally, including exhibitions at the Oscar Neiymer Museum in...
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Daniel Lehan

Reading his palm Bob and Roberta Smith declared Daniel Lehan to be: The Most Stubborn Artist I Have Ever Met ! Frog Morris - Curator, Poet and Performer - says:  Daniel's works often begin with simple instructions that any man, or woman, in the street can follow: ‘Make a sign saying what you want’, ‘write...
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Anne Charnock

Text Art The Uncertainty Series is an ongoing body of work that mimics the ‘track changes’ function in word processing programs. This format allows Charnock to reveal the doubts she experiences during her art-making – giving solid form to meandering and often contradictory thoughts. An installation at Mid Pennine Gallery took...
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Lilah Fowler

  Olivia PlenderThe Masterpiece - Part One, Strange Adventures, 2003 Julie Brixey-Williams, Lilah Fowler, Maria Kontis, Kate Davis, Sue Williams, Olivia PlenderCurated by Anna LovattProvisional, quotidian, humble and unassuming, the practice of drawing was often overlooked by critics and curators during the modernist period. But...
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Julie Brixey-Williams

Concepts Julie Brixey-Williams is a British artist who lives and works in London, where she has exhibited regularly. Her work explores the relationship that the body shares with space and architecture and the gestural marks that we leave behind. Working in various media, including photography, video, installation, performance and drawing,...
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Katy Beinart

My practice is interdisciplinary, combining art and architecture to examine themes of history, identity and place. Much of my work is research based and site-specific, and evolves through a participatory process, which has developed from several years working in youth arts and participatory development. I am interested in creating work in public...
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Lizzie Hughes

My work attempts to make re-representations of structures and networks that through scale and complexity defy a singular visualisation. Iconic buildings, entire cities and geographical phenomena are presented as complete entities in sound, text and video works. Recent works have included installations, sound works and text pieces.
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Adam Burton

I want to change the world. Adam Burton, Ryan Mclelland, Michael Cousin, Stephen Felmingham, James Lander,Maslen & Mehra, Marina de Stacpoole, Florin UngureanuCurated by Mona CaseyOriginally I approached this commission with the idea of looking for political work or work that dealt with Politics, but had no clear idea as to what...
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Robert Orchardson

Robert Orchardson makes sculptures inspired by science fiction imagery and futuristic design, using lo-tech materials such as wood and resin or found objects. He has a nostalgia for the utopian tendencies of the modernist period and focuses on shapes and objects which defined that aesthetic. Forms pictured briefly in novels or film are crafted...
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Olivia Plender

  Olivia PlenderThe Masterpiece - Part One, Strange Adventures, 2003 Julie Brixey-Williams, Lilah Fowler, Maria Kontis, Kate Davis, Sue Williams, Olivia PlenderCurated by Anna LovattProvisional, quotidian, humble and unassuming, the practice of drawing was often overlooked by critics and curators during the modernist period. But...
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