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We live in a world that is constantly changing and evolving even the things we take for granted as always being there are constantly in flux. This is the flux that Kate Hammersley captures in her work. Transient moments such as a word spoken in passing, a lightning strike or a shifting horizon line are sources of inspiration in her work which...
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The relationship between identity construction and space has been the topic of my work for some time, in different forms.Thinking about space is, primarily, thinking about spacial things. A room in a house, a building in a street. A railway station in a city. People and places have a complex relationship, as they mutually produce each other...
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Much of my work, unless commissioned specifically as a portrait or particular piece of sculpture, is based on Theology. I try to express something of biblical truth or beg theological reflection by the beholder. Eight panels the size of an average door, depict the call of the disciples and are on permanent loan to Burton Agnes Hall. Also 'The...
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ConceptsMy sculptures are made out of glass, stone, metal and sometimes wood. these materials unite in their strength and fragility to create a delicate balance. Since a couple of years I am working at a series of 'Immaterial Figures'.InfluencesBeing eighteen and studying French for some weeks at Paris, I discovered the musee Rodin. Rodin's work...
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My practice is primarily based in sculpture. As an artist I am interested in the hidden parts of everyday life and the tracing of history, this is a running theme in my practice. However other key aspects of my work are also concerned with memories, materiality, objects and shadows.I have been exploring these themes using a variety of mediums and...
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The remains comprising our present-day environments are overlaid with a weave of unremembered lives, narratives and events, which in a moment can be revealed through even the most mundane objects and surroundings. My work seeks to explore these revelations, through the use of text, movement, image and sound. My passion for the past extends to...
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Objects are collected, initially having been selected through a process of recognition - the presence of the 'familiar', within the 'unfamiliar'. There are genuine insights coming through individuals, but the forms these take are warped or twisted and as a result, these insights are rejected, discarded or repressed. In Freudian...
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