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I love paint in all its forms.  The physical sensuality of it.  The truth and the lies.  Object and illusion.  Window on the world.  Window on the soul.  Layers of factory-produced, chemically calculated magic.  Years ago, in America, I stopped using rectangular stretched canvas.  I started building...
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I address the gap between the world and our representations of it, often making use of machines and methods that promise precision and objectivity, but ultimately reveal the human presence. I have a particular interest in photography and its relationship to memory, and in using drawing to re-present movement. 'What we observe is not nature...
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Concepts Unless working to a specific commission brief, I make drawings and tapestries in response to a particular environment, event or occurrence,  Images are generally a mix of observation, memory and imagination. The aim is to construct an interpretative piece, arrived at by initiating an intuitive dialogue between idea and process....
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