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Interventions in the institutionalised everyday. By investigating educational, corporate and public settings, I critically engage withissues rooted in the institutional context. I keep looking beyond the veneer of how we manouver to expose and reference behaviour, routines and decision making. My practice reflects on mechanisms that underlie the...
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The use of various methods, like travel, video, sound, choreography, performance and writing, sits in the expanded notion of my work – where new and obsolete technologies reflect one another as the analogue and digital swap places; modes of representation are questioned as they blend in each other or dissolve and reveal, or obscure,...
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We inhabit two worlds in parallel. Two different universes that equally follow the laws of physics; one material, with mass and volume and the other a mathematical construct assembled from binary information.In this body of work these two worlds, the material and the digital, become a metaphor for the mind and the body, as well as for the physical...
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I have an interdisciplinary approach to art practice that includes projection, audio, moving image and 2D media.Recent projects include music production and large-scale projection. My work with architectural projection evolved from a stint of guerrilla advertising such as the infamous projection of Gail Porter onto the Houses of Parliament. This...
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Lucy Bannister started writing incredibly short stories when she was studying Fine Art (Sculpture) at Glasgow School of Art in the late '90s. She began recording herself reading them out loud when she was taking her MSc in Electronic Imaging at Dundee's Duncan of Jordanstone College of Art and Design in 2003. Since 2004 she has been...
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ConceptsI specialise in working with light, space and the viewers presence in the work to create stunning pieces of architectural glass which play with reflection, transparency and light transmission.My work is concept driven and site and project-specific so each individual piece is unique and in total harmony with the building and space it is...
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I am a Swiss mixed media artist and completed an MA in Fine Art at Byam Shaw, Central Saint Martins in 2010. I live and work in London. In my work I explore the world of everyday things, places, spaces and situations and how we operate and behave with and within them. I conceptually and formalistically investigate and play with what...
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Concepts The subject of my work has always been the human body, through from life painting to light installations, where it is present in its absence also, in that I am dealing with aspects of the human experience. I have explored visual perception which I dealt with in various forms and media – I was registered partially sighted in 1992. I...
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I met with Lucienne Cole on the 2nd May 2007 in a dark studio room in the heart of Birmingham, her current home. Lucienne and I shared a number of interests, the power of pop, the relationship between pop music and art, off-site interventions and art in social spaces. We had a lot to share, here are the highlights...This interview is available...
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In an age dominated by information, my practice considers poignancy in the glitch as an interruption to functionality. Screens appear everywhere, they communicate a humdrum of duplication and replication; it is almost unstoppable and irreversible. Screens create a simulation of a working interface to information. Behind this interface there...
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My work attempts to make re-representations of structures and networks that through scale and complexity defy a singular visualisation. Iconic buildings, entire cities and geographical phenomena are presented as complete entities in sound, text and video works. Recent works have included installations, sound works and text pieces.
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My art practice is primarily concerned with issues of adaptation for those that encounter and interpret the finished work, as well as for me, the maker. Adaptation is most evident through my physical negotiation of making different types of artwork, given that; I am acutely visually impaired (registered blind). For any artist vision loss is an...
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Working through a process that uses archiving and intervention I seek to map the other life of a place or community in order to represent a multi- faceted place.  Using the traditions of story telling and the processes of documentary, historical research methods, psycho geography and imagined other lives the work adopts a phenomenological...
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The installation encourages audience interaction by allowing sound creation through body movement. Interaction is explored through analogue means opposed to digital processes hence more akin to the 'Theremin'.A bank of old tube TVs and monitors (CRTs) emit electromagnetic fields (EMFs) which are absorbed by the human body and channelled to...
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My work is mainly sculptural, often kinetic, but always containing some method of flux, be it physical or psychological. This use of movement is intrinsic to my process, which uses progression in an attempt to direct a dialogue with the viewer. The forming of these dialogue's are important with the nature of the notions being explored, often...
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Sam Belinfante (b. 1983) is an artist living and working in London. His projects endeavour to bridge the gap between the visual and the musical. This is most evident in his graphic scores, where drawings offer an interface between a performance and its direction.
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Andrew Dodds is a Belfast-born artist currently based in London. He is particularly noted for his collaborative works exploring our historical, social and political relationship with 'nature', the voice and the shared potentialities of public space. He consistently engages and acknowledges others in the imagining, production and...
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Artist statement The topography of language, of music (and sound) and of our systems of classification and definitions surrounding these landscapes reflects a pertinent and fundamental set of concerns underpinning my interdisciplinary fine art practice. Through a particular process that carefully interweaves what is already there, I seek to...
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Richard Bevan’s work deals with the tension between film as a medium and light as its agent. In his films this tension varies from the equilibrium of good light conditions and a correct exposure, to the turbulence of near darkness followed by the white-out of the end of a spool, or the light drone of an over-exposed summer’s day...
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Concepts Art as concrete ontology (and a little epistemology gets dragged in) I want to get close to reality: to the nature of being. The self and the world cannot be separated, they are a single experience. We live in a world of things yet logically we can only experience experiences, not things in themselves. My work models this...
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Rebecca Lennon combines text, film, sound, photography, performance and installation in an ongoing process of gathering, collecting, montage and reinterpretation. Relating the seemingly unrelated and drawing from the everyday, illogical, and discarded things that often slip out of the landscape unnoticed, Lennon is interested in communication and...
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Julie Myers specialises in a variety of time-based media including video and sound installation, single-screen, web, mobile and interactive technologies. Her work is informed by social encounter, participation and intervention. This can be just a brief moment captured between strangers, or a collaboration with multiple participants simultaneously...
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Rooted in experimentation and closely linked to the development of new technologies, audio art is a practice that crosses disciplinary divides and is becoming increasingly hard to define. Many argue that audio art can only be recognised when sound is both the subject and object of the work but this excludes audio works that utilise sound as a...
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ConceptsThe whole world + and the work = the whole worldCareer pathQualifications: 1990 BA Hons, Fine Art, Slade School of Art, LondonTeaching Experience: 1995 Visiting Lecturer, Fine Art Department, Chelsea College of Art and DesignCollections: Arts Council of England, CollectionStarkmann Ltd, LondonSaatchi Collection, LondonB and L Polla,...
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