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My current practice is concerned with exploring aspects of human migration in relation to the landscape. It looks at the way in which human beings form attachments to their surroundings and how when separated from a familiar environment, they may experience traumatic emotions such as dislocation and displacement.Many migrants exist within a...
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My work is concerned primarily with occupied spaces and the narratives that unfold in them. My drawings of school playing fields, junked underpasses and the like often contain text with the tone of dialogue. Through these glimpses of speech the dilapidated environments come to life in a skint version of enchantment: a tree stump or a broken fence...
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My current work questions the nature of things, images and experiences; the significance, the meaning, connotations and expectations.  Generally the focus is on the everyday and how we might or might not expect to find things.  There is usually a sense of uncertainty or discontinuity in the work allowing the viewer to interpret in their...
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Through examining and referencing artefacts, social structures, mythologies, architecture, and industry; my practice is a continuous investigation into how we explore and understand notions of human behaviour and curiosity in its absurdity, banality, tragedy, resilience and humour. I am interested in the dialogue that develops through...
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For the past five years, I have explored non-traditional uses of liquid porcelain, using an approach to mark making as a large part of the content of the work. The outcome has been a series of process led sculptural drawings and forms in which there is a point of transition from order to disorder, when different...
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Concepts I trained and worked as a landscape architect before developing a career in art and design. This has lead to a creative mix of artworks and projects, undertaken in a variety of settings and locations, often drawing on landscape experience and practice. Some projects result from the discovery or rediscovery of a new or familiar...
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