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Lisa O'Brien's performance and installation work stems from her interest in sound. In the 80's she studied Expressive Arts at Brighton Polytechnic which included components in music composition, performance and sculpture. She developed an interest in working with instruments and vocals and much of her subsequent composition and performance...
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I have always been strongly attracted to not only the physical spaces that we inhabit, but also our inner spaces, the dreams and thoughts we have and our interactions with them. The systems or dialogues we create to understand and contextualise our environment whether physically or intellectually has provided a rich source form which to draw. ...
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Together with painting on canvas there remains a large variety of shifting, stylistic strategies that can underwrite and scaffold any critical engagement with conceptual ideas. For instance, practically it is possible to produce painting that finds its starting point with everyday objects and material that are modified through paint....
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Teaching Experience Regular visiting artist, Glasgow School of Art Painting department and MFA. CollectionsAberdeen Art Gallery; The Essl Collection, Vienna; The Fleming Collection, London; Glasgow Marshall Trust; Perth Art Gallery and Museum, The Royal Bank of Scotland, UBS Bank.
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Krisdy Shindler's work explores the visual re-definition and describing of the landscapes and cartography of knowledge. Using a variety of methods, primarily painting and stop-frame animation, her work investigates the movements, mechanics and progression of knowledge. As a chronological development, the animated painted image might be seen as a...
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Kate Davis makes meticulously rendered drawings that play with the representation of beauty, symmetry and evolution. Visual similes and metaphors tease the eye with incongruous metamorphoses of nature and culture, abstraction and representation, beauty and catastrophe. Reference points include Brancusi, Hepworth, Picasso and Goya, and...
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