Amanda Hopkins

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Artist statement

Concepts
My work seeks to reconnect people with themselves, their everyday activities and the places they inhabit and encounter. The glass lenses in 'Knotted Gate' (1996) and 'Collective Evidence - Bus Routes' (1994), Slice of Life (2005), Ropetackle lenses (2007) achieve this by focusing attention on the often by-passed details of the everyday. 'Once upon a Time' (2002) and 'Markers' (1998) re-connect people with the history of the place in which they are sited. Much of what I do is about re-framing what we see and experience around us. The creation of new, secular rituals as an integral part of the work is becoming increasingly important - 'Five Minutes Peace' (2000); 'Once upon a Time' (2002), Star (2009).


Career path
I trained originally as a psychologist. After working for some time in research I returned to college to study my first love - art and design. I graduated with First Class Honours from Middlesex University in 1993 and set up my own art and design practice.

Since then I have developed my personal work and worked to commission for public and private clients. Public commissions completed include site-specific sculptural interventions for the Islington Ecology Centre, Gillespie Nature Reserve (London), Davy Down Park (Essex). I have been artist consultant for Essex County Council, collaborating with architects in re-building 13 schools. I occasionally exhibit in galleries but my main focus is on putting work in real social/environmental situations. My research background emphasises process as much as product in my practice. This emphasis also leads me into teaching - I currently a part-time senior lecturer at Central St Martin's College of Art and Design on a multidisciplinary course : BA Architecture, Objects & Spaces.

Solo exhibitions

  • 2005 Propects, The Field Station, Lea Valley, Hertfordshire

Group exhibitions

  • 1999 Teleport, Alphabet, London
  • 1997 Showing off, Marle Place, Kent
  • 1997 Fuse, Designers, Artists and Architects in Collaboration, Sutton House, London
  • 1995 Collective Evidence, Urban Action, Hertfordshire County Council
  • 1995 Parkland Walk, Islington Ecology Centre
  • 1995 Parkland Walk, Northbank Gallery, London
  • 1995 Feeringbury VI, Feeringbury Manor, Colchester
  • 1994 Metropolis Open Window Gallery, Nos 38, 73 Buses, London
  • 1994 Hackney Sculpture Show
  • 1993 New Designers, Business Design Centre, London
  • 1993 Whiteleys UIC, Bayswater, London
  • 1991 Morecambe Renaissance, Morecambe

Private commissions

  • 2000 Five Minutes Peace, Regina Rd, Finsbury Park, London
  • 1998 Castle Bridge Viewpoint, Islington Ecology Centre, London
  • 1998 Threshold Lighting, Stephen Pimbley architects, Private residence
  • 1996 Gilthead Bream etching, Susie Fisher Group, London

Public commissions

  • 2007 Ropetackle lenses, River Adur balustrade, Shoreham By Sea, Sussex
  • 2005 Prospects, Gunpowder Park, Lea Valley, Hertfordshire
  • 2004 Star, Church of St Peter and St Paul, Shoreham, Kent
  • 2004 Slice of Life, Harwich Primary School, Harwich Essex
  • 2002 The Davy Downe, Thames Chase Forest, Essex
  • 2000 Flock, Waterlow Park, Waterlow Park
  • 2000 Flock, Waterlow Park, Hampstead, London
  • 1998 Cardinal seating, Islington Borough Council, Gillespie Park, London
  • 1998 Parkland Walk Markers, Islington Ecology Centre,, London
  • 1997 Rope Organics, Temple Cloud Community hall, Temple cloud, Bristol
  • 1997 Lifecycles, Islington Ecology Centre,, Islington, London

Educational experience - primary

  • 2007 Friendship circle, Shoreham Primary School, Shoreham, kent
  • 2001 Remodelling 12 primary schools in Essex, Essex County Council/French Keir Anglia, Tendring, Essex
  • 1998 Mayflower Dreaming, mayflower School, Billericay, Essex
  • 1998 Bolingbroke Arch, Boligbroke School, Battersea, London
  • 1998 Secret Seating, Camely School, Camely, Bristol

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