Victoria Ferrand Scott

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Artist statement

Victoria Ferrand Scott uses a wide range of tools as an artist but thinks of herself primarily as a sculptor. When working in three dimensions her forms are often abstract but with a strong organic character. They do not resemble or imitate anything specific but have their own identity. She works with materials such as plaster and latex exploring processes which harness the natural forces of gravity, pressure and elasticity to create sculptures which bulge with their own visceral life. Each piece is an experiment; the result of a fragile balance between different elements and forces. She wraps, binds, coats, and pours; testing, often to breaking point. It is a precarious path between freedom and control and the process often produces surprises and discoveries.

Drawing and photography have always formed an integral part of Ferrand Scott's work. Often she is searching for the abstract and sculptural qualities in mundane everyday situations; the way in which sunlight and shadows can transform the domestic into the mysterious and sensual. Outside she discovers new angles and weather conditions revealing natural feats of engineering. In her video work she documents social interactions in public spaces, exploring the discrepancy between her experience of these encounters and the recordings made by the video camera. It is within these arenas that Ferrand Scott investigates the movement between presence and absence, and observes rituals and gestures that are as dramatic as those in an Italian Baroque painting. The scrupulous indifference of the camera combined with a heightened awareness reveals the ordinary to be quite extraordinary.

Ferrand Scott's recent AA2A residency at Leeds College of Art gave her valuable time and space in the casting workshop. She took the opportunity to investigate using concrete in latex moulds (made using layers of liquid latex bound with tape and elastic). The elasticity of the latex brings out a smooth, warm sensuality not usually associated with concrete. It is these qualities which she aims to develop in her current work.

Qualifications and training

  • 2009 Associate Member, Royal British Society of Sculptors, London
  • 2006 Making it Happen. Training for working with people with learning difficulties and disabilities, Pyramid of the Arts, Leeds
  • 2004 City & Guilds Level 3 Certificate in Delivering Learning, Park Lane College, Leeds
  • 2002 MA Fine Art, University of Leeds, Leeds
  • 1999 BA Hons Sculpture, Bretton Hall, Leeds
  • 1996 Btec Foundation Studies Art and Design, Leeds College of Art and Design, Leeds
  • 1975 BA Hons History of Art, University of Manchester, Manchester

Employment

  • 2004 Artist, Self-employed, Studio
  • 1995 Picture Specialist, Christies, York
  • 1979 Picture Specialist and Auctioneer, Phillips Fine Art Auctioneers, Leeds
  • 1978 Assistant, Venice Committee of the International Fund for Monuments, Venice, Italy

Solo exhibitions

  • 2005 DomestiCITY, Brahm Gallery, Leeds

Group exhibitions

  • 2012 Lines of Conflict, Scarborough Art Gallery, Scarborough, North Yorkshire
  • 2012 Summer Exhibition, Royal Academy of Arts, London
  • 2011 Living with Minerals, CBI Conference, Westminster, London
  • 2011 Cement and Concrete Science 2011, Imperial College, London
  • 2011 Leeds Fine Artists, North Light Gallery, Huddersfield
  • 2011 Yorkshire Sculptors, Smith Gallery, Brighouse, West Yorkshire
  • 2010 18@108 Naked, Royal British Society of Sculptors, London
  • 2010 Thirteen Moons, Kala Sangham, Bradford
  • 2009 157 Autumn Exhibition, Royal West of England Academy, Bristol
  • 2008 156 Autumn Exhibition, Royal West of England Academy, Bristol
  • 2008 Summer Exhibition, Royal Academy of Arts, London
  • 2008 AA2A (Artists Access to Art Schools) Exhibition, Leeds College of Art & Design, Leeds
  • 2007 Breathing Space, Brahm Gallery, Leeds
  • 2006 Quarries and Collaborations, Centenary Gallery, University of Leeds, Leeds
  • 2006 Leeds Imprint, Leeds Design Innovation Centre, Leeds
  • 2005 MIST Group Exhibition, Clothworkers Hall, Leeds University, Leeds
  • 2004 Laugh and Anguish, University of Leeds, Leeds
  • 2003 Luarto, Showcase Gallery, Leeds

Artist talks

  • 2012 Visiting Speaker, BA Art and Design, University of Leeds
  • 2012 Sculptural Concrete: A process lead investigation into fluidity, expanded form, and tactility, The Royal Society, London
  • 2010 Sculptors on Sculpture, Royal British Society of Sculptors, London
  • 2009 Layers of Response, Landscape and Arts Network, Pateley Bridge, West Yorkshire

Residencies

  • 2010 Leverhulme Trust Artist in Residence, School of Civil Engineering, University of Leeds, Leeds
  • 2007 AA2A (Artists Access to Art colleges) Scheme, Leeds College of Art & Design, Leeds
  • 2006 Yorkshire Quarry Arts, Coldstones Quarry, Pateley Bridge
  • 2006 Mult-sensory Art Project, Pyramid of the Arts, Ramshead Wood, Leeds
  • 2004 Jackdaw Quarry placement, Yorkshire Quarry Arts, Nr. Tadcaster

Educational experience - primary

  • 2004 Artist in Education, Sculpture Workshops, Yorkshire Sculpture Park, Bretton, Nr Wakefield

Educational experience - secondary

  • 2004 Artist in Education, Sculpture Workshops, Yorkshire Sculpture Park, Bretton, Nr Wakefield

Educational experience - tertiary

  • 2004 Artist in Education, Sculpture Workshops, Yorkshire Sculpture Park, Bretton, Nr Wakefield

Educational experience - special needs

  • 2012 Artist, Eden Group 'Home' exhibition project, Pyramid of the Arts, Leeds
  • 2007 Artist, Burley Sculptors, Pyramid of Arts, Leeds
  • 2006 Assistant, Printmaking Course for adults with learning difficulties, Leeds College of Art and Design, Leeds
  • 2006 Artist, Multi-sensory arts project, Pyramid of Arts, Ramshead Wood, Leeds

Publications

  • 2008 The Naked Quarry (Yorkshire Quarry Arts)

Web links - gallery/work/projects


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