Approved: 16.08.2006

Patricia Mackinnon-Day

Artist, Maker, Researcher

Approved: 16.08.2006

In all my art I have striven to unearth links in time and between people in the locations in which I work :

a shipyard\a Cheshire ridge\a new-build Fine Art Academy \a Cambridge town \a residential home
+ \ + \ + \ + \ +
its workers \ its farm women \ its local residents

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  • Location: Liverpool, North West
 

Biography

In all my art I have striven to unearth links in time and between people in the locations in which I work : a shipyard\a Cheshire ridge\a new-build Fine Art Academy \a Cambridge town \a residential home + \ + \ + \ + \ + its workers \ its farm women \ its local residents \ its inhabitants \ its young tenants Having been invited in to produce a piece of art which speaks to the place and those in it, I explore the setting and its social history in an effort to give substance to the specific elements of the space. I immerse myself in the place and, through my openness, become part of the community, sharing in the experiences of the people who live / work there. By inviting them to participate and play a role I allow the space to come alive through them. In any project I always look for something that will challenge me in a new direction - my art, it's all about my journey. When I embark on a project I do not know where it will take me but I have come to rely on ideas being triggered by my observations of the context in which I am working. For example, in the “Qui Pao ” piece the patterns of the film emerge from the marching that was, and still is, a part of everyday life in China. During my residency in Shanghai in 2011 I was awoken in the morning by the sound of students parading in the square below my window and this echoed the film footage of the depersonalised ranks of soldiers marching purposefully yet aimlessly that was such a familiar image of Communist countries as portrayed in the western media. The pink uniform of the women troops only serves to emphasise their lack of individuality as their gender cannot be defined in such a token way. This neutral, orderly, state-imposed pattern of marching soldiers focuses on the sum of the parts, whereas the movement and colour of the dresses and the expressions of quiet joy on the faces of the women speak of their inner feelings, each one as individual as the hues of their stylised dresses. My methodology here, as elsewhere, was to seek out these Chinese women of a certain age in Shanghai and, having received an invitation to their semi-secret get-together, to offer them an ear and recount their story in images, patterns and sounds rather than in words.

CV & Education

Public realm 2009 - Making Visible the Invisible, Orchard Park, Cambridge 2008 - The Back Bittern Street Projects., Liverpool John Moores University, Back Bittern Street 2006 - Marking Time - Permanent installations commissioned by Landsec, St Catherine’s Almshouses, Princesshey Development,, Exeter. 2006 - Open House in the Park : In STEVENAGE, , Greenhouse partnership, Stevenage Qualifications and training 1994 - MA, Fine Art, Royal College of Art, London 1991 - BA Hons, Fine Art (First Class), Liverpool School of Art Residencies 2011 - Private views made public, Habitat and Hillforts , Cheshire 2011 - Shanghai Residency, Shanghai University, China 2010 - Trail Blazing - An Act to Follow, BRACKNELL,mid- to high-needs housing and care unit, Bracknell 2004 - Sci-Art residency, Cambridge University and Wysing Arts, Cambridge 2001 - Research visit to Shanghai funded by British Arts Council, Hosted by Shanghai University, China 2000 - Inland Waters - Cammell Laird shipyard 12 month residency, Cammell Laird, Merseyside Public commissions 2004 - Colour Circle, The National Arboretum, Westonbirt, Gloucestershire 1995 - Pods - permanent structures commissioned by RSPB, Newport Wetlands, Gwent