Photo: Louisa Chambers in Derby, East Midlands

Louisa Chambers

Artist, Curator, Lecturer / academic, Teacher, Researcher

In her most recent work, Louisa Chambers has been playfully rearranging systems, structures and repeated patterns. Appropriated references derive from architectural sources, scientific and mathematical educational manuals to the everyday drawing upon daily routines.  Science fiction like objects and landscapes that often feature, present alternative visual and virtual worlds where structures govern our society and technology rules.

Louisa Chambers graduated with an MA in Painting from the Royal College of Art (2005-2007) and a BA in Fine Art (First Class Honours) at the University for the Creative Arts, Farnham (2001-2005).  

She has exhibited her work throughout the UK and has been a finalist in competitions such as Paint Like You Mean It at Interview Room 11 (Edinburgh 2014), Zeitgeist Open (London 2012) and John Moores 25 at the Walker Art Gallery in (Liverpool 2008). Recent exhibitions include (detail) at H Project Space (Bangkok 2014) Transition Gallery (London, September 2014) and The Usher Gallery (Lincoln 2014-2015), Pareidolia, Pluspace (Coventry 2014), Water Colour Revolution, Winsor and Newton, Saatchi Gallery (London 2014) About Painting at Castlefield Gallery (Manchester 2014), Stereoscope at Mrs Rick’s Cupboard, Primary (Solo- Nottingham 2013), Rotation at New Court Gallery (Solo- Derby 2013), Flatland at Blyth Gallery (London 2012) and Needle’s Eye at BayArt Gallery (Cardiff 2012) and Transition Gallery (London 2012). 

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Location Derby, East Midlands
Activities Higher education, Further education, Adult education, Special needs education, Lecturing, Residencies, Workshops
Artforms / type of project Education project, Drawing, Mixed Media, Painting, Research
Tags Louisa Chambers, Painting, Artist, Lecturer, Educational Projects

News & Events

  • Autocatalytic Future Games

    15/06/2015 – 21/06/2015
    no format, London

    On a trajectory from Lascaux via aerosols, our bioaesthetic inheritance is cultivated beneath the inflated sun. An accretion of stenciled hands in the darkness, then a trillion painted surfaces.

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  • Creekside Open 2015 selected by Richard Deacon

    11/06/2015 – 05/07/2015
    APT Gallery, Deptford, London SE8 4SA

    This is the sixth time that APT have run the biennial competition since the inaugural competition in 2005. 60 artists were selected by Deacon for the exhibition out of 685 applications.

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