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K M Bosy

London
My critical-documentarist approach centres on the landscape, to productively negotiate site(s) and acknowledge the political structuring within the contexts of landscape and image space.

We project our own reading, our own intentions and desires through the images we collect and we read the landscape according to our circumstances. My practice plays with the postcard and our desire to capture the lost past, lost desire. Loosened from authorial control, loitering, wandering, daydreaming, images beckon us into their vacated centre. Placed within the politics of the reproduction, the photographer disappearing, the postcard becomes an anticipatory space, expendable, and revealing something about the viewer.

My critical-documentarist practice, while not narrative in primary intent or purpose, nevertheless records the landscape, documenting real events in real places while, crucially, offering a spatiality not primarily conducive to narrative. The videos, photographs, drawings, and video installations in my art practice are primarily documenting the landscape, to suggest encounters with the real and material in the world. I draw on diaristic practices and my main field of reference, experimental (structural) film to productively negotiate site(s) and acknowledge the political structuring within the contexts of landscape and image space.

 

itinerant space, academic online research journal, RCA, London.

By  K M Bosy

Inside here by KMBosy, online artwork. Thank you for participating. This project is now completed.

By  K M Bosy

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