John Atkin

John Atkin

Artist, Maker, Consultant, Lecturer / academic, Researcher

Since leaving the RCA in London, where Henry Moore personally funded Atkin, he has exhibited his work worldwide. Recent publications on Atkins’ output focus on the notion of “industrial archaeology” and the use of the past within the contemporary landscape. These publications include The Navigator ISBN 0-906688-40-X; Scorched Earth ISBN 1-900856-41-7; Distant Voices ISBN 1-900856-30-1; Cut, ISBN1-901560 -65 -1; The Made and The Unmade ISBN 0-9704605-0-3. His work has been the subject of widespread media interest and editorials that focus on his work in public spaces, here in the UK and overseas. In recent years, Atkin has been invited to present the keynote paper at the Sculpture by the Sea Symposium at the Art Gallery of NSW, Sydney, Australia. He also exhibited a new, major sculpture, at the Sculpture by the Sea, capitalizing on earlier exhibitions at MOMA @ Heide, Melbourne: and Rex Irwin Gallery, Sydney: simultaneously exhibiting at Soho Galleries, Sydney. An example of his current work, entitled Strange Meeting, has been commissioned by Beijing Municipal Government, to celebrate the cultural emphasis of the Olympics ” One World One Dream” ethos in Olympic Park, Beijing. This 27-ton marble & granite artwork forms part of an exhibition of twenty-six artists selected from a global application of 2600 people. Atkins’ research interest lies in the interaction of people with artworks that change a space into a place. In this way the community secures a landmark for the area and a meeting point for all generations and cultures. He is currently completing a series of innovative artworks for Kent County Council, where he is Lead Artist for their ground breaking Breaking Boundaries “shared space” highways project. This entails working alongside Landscape Architects and Engineers to complete a range of highway structures, (such as roundabouts, terracing and street furniture), that reflect on Ashford’s cultural heritage within a contemporary context. His current project in California focuses on the regeneration of the Fillmore District of San Francisco and collaborating with AXIS Architects on delivering a coherent public realm that addresses the locales indelible heritage as the home of West Coast Jazz. The social legacy of this project has been fraught with decades of County Hall misplaced redevelopment that has fractured a once vibrant community famed for it ethnic mix and social inclusion. Atkins’ involvement in this landmark project involves the delivery of a signature sculpture that will act as a beacon for the areas regeneration. In addition, he has been asked to develop the new plaza space into a seating plan hat includes bespoke street furniture that encourages the community to use the space as a meeting place and thereby foster economic growth. In time the plan is to roll-out his vision for the district into a series of interactive spaces that include various examples of street furniture that add to the unique nature of the space and the historic vernacular of the street. read full statement

Location London
Activities Built environment, Community consultation, Public art, Private commissions, Commissioning
Artforms / type of project Drawing, Environment, Metalwork, Public Art, Sculpture
Tags Public Art, Sculpture, Fine Art, Practie based research, Interdisciplinary Design, Collaborative Practice, Urban Design, Built Envionment, Drawing, Digital Art

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