Combining the mass produced and the unique is, for me, humorous and ironical and full of suggestion and contradiction. I am interested in the process of reproduction (printmaking, laser cutting, high tech and lo-tech) and also by the theme of reproduction (with reference to the ethical debate surrounding biotechnology, genetics, sex and consumerism). Printed images and multiples enable a process of vulgarisation, undermine the obsession with originality, so that content becomes the primary concern. The repetition of the same imagery echoes our obsession with labels and brands as assurances of quality and also, paradoxically, echoes our fears provoked by images of cloning and other genetic interventions. I am especially interested in the idea of the imperfect edition. Traditionally a printmaker is to be congratulated on his or her skill in producing a perfect edition. I have always found this to be a very mechanical approach; after the thrill of pulling the first few prints the process is predictable, a routine. To subvert the idea of an edition is exciting and a good metaphor for the paradoxical relationship between group identity and individuality. In the natural world we are familiar with classification along the lines of type yet on reflection every single leaf on a beech tree, as well as being true to type, is distinctly different. I often take my starting point from commercial packaging nets that I customise in terms of structure and scale. Individual structures can then become units in a giant construction set, with the potential for endless configurations or systematic modifications and reworkings according to context. My current series of laser cut paper and acrylic vessels explore the theme of survival.
|Location||Combeinteignhead, South West|
|Activities||Lecturing, Practice-based research, Residencies, Public art, Private commissions|
|Artforms / type of project||Digital, Installation, Mixed Media, Research, Sculpture|
|Tags||laser cut, paper cut, water jet cut, multiples, imperfect editions, installation, laser cut, mixed media, survival, war, paper cut|
News & Events
Craftspace Gather-ing Commission
Contemporary craft commission for The Priory, in Stoke Sub Hamdon, Somerset working with the National Trust and Somerset Art Weeks
Elected as a Trustee of the Devon Guild of Craftsmen.
Elected to stand as a Trustee of the Devon Guild of Craftsmen
Fresh Air Sculpture 2015
14/06/2015 – 05/07/2015
Quenington Old Rectory, Quenington, Cirencester, Gloucestershire GL7 5BN
The biennial sculpture exhibition provides a unique opportunity to see a creative mixture of traditionally modern and cutting-edge contemporary work in a stunning outdoor setting.
11/07/2015 – 29/08/2015
Hartlepool Art Gallery
Burnt Out is a 20-21 Visual Arts Centre touring exhibition of sculptural installations, lighting and two dimensional works funded by a grant from Arts Council England
01/04/2015 – 17/05/2015
Salisbury Arts Centre
An eclectic exhibition celebrating inventive uses of paper. Paper brings together artists who cut, crease, fold and otherwise manipulate paper in the making of their work.
Selected for made@EU international Fablab project launched by Plymouth College of Art
Please follow link http://www.plymouthart.ac.uk/latest/news/college-launching-international-fab-lab-project-madeeu
The Art of Remembering ITN news feature and catalogue download
The exhibition was featured on the ITN news http://www.itv.com/news/border/update/2014-10-11/new-war-exhibition/ Catalogue download: http://issuu.com/rheged/docs/catalogue_final_web/1
Quenington Sculpture Trust Bursary
Awarded a bursary for making new laser cut work in copper for Fresh Air 2015
British Forces News - film feature on A Short Fuze exhibition at NMRN
Here is a short film feature about my current residency and exhibition at the National Museum of the Royal Navy http://link.brightcove.com/services/player/bcpid2810881928001?bckey=AQ~~%2cAAACcS3aho