Approved: 04.11.2010

Hannah Dargavel-Leafe

Archived
Approved: 04.11.2010

My practice uses incidental recordings, photography, ensembles of objects and pre-recorded happenings to capture the structures, happenings and social relationships that I chance upon in the city. They already have their own forms and rhythms and music and it is these that I frame as a witness of what I have seen and heard. As Cage says, “Music is continuous; it only stops when we turn away and

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  • Location: Manchester, North West
 

Biography

My practice uses incidental recordings, photography, ensembles of objects and pre-recorded happenings to capture the structures, happenings and social relationships that I chance upon in the city. They already have their own forms and rhythms and music and it is these that I frame as a witness of what I have seen and heard. As Cage says, “Music is continuous; it only stops when we turn away and stop listening.” With a quasi-scientific approach I revel in the failures of imposed order, the unquantifiability of chance.

CV & Education

Group exhibitions 2012 - 60 Drawings, Bankley Gallery, Levenshulme, Manchester 2012 - SOUNDWORKS, ICA, London 2011 - Democratic Promenade, The Bluecoat Gallery, Liverpool 2011 - House Work, International 3, Manchester 2010 - How It All Worked Out, International 3, Manchester 2009 - A Lot Seems To Occur (We Do Anything), Triangle Shopping Centre, Manchester 2009 - Art Crawl, Not Part of Festival, Mancester 2009 - Something Occured, The Link Gallery, Manchester Degree shows 2010 - Fine Art Degree Show, Manchester School of Art, MMU, Manchester Residencies 2012 - Artist Access to Art Schools, Manchester Metropolitan Univeristy, Manchester 2011 - meet&critique, International 3, Manchester Public commissions 2012 - Cornerhouse Micro Commission, supported by the Paul Hamlyn Foundation, Cornerhouse, Manchester