Approved: 16.05.2012

Claire Manning

Artist, Maker, Film-maker, Project manager

Approved: 16.05.2012
  • Location: London & the South East, London
  • Activities: Practice-based research, Residencies, Participatory projects, Creative writing, Studio practice
  • Categories: Film & Video, Installation, Mixed Media, Photography, Sculpture
  • Tags: collage, assemblage, installations, layering, fracture, power & control, shifting realities, film, montage, print
 
 

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    Biography

    I make collages that may only fully and completely exist in the minds-eye of the observer. These montages are held loosely in place, folded temporarily or built-up in assemblage, installation, film, print or poster. I work with appropriated photographs and with non-places that feel overlooked, abandoned and lost, commenting on issues relating to identity, power, control and desire, and exploring how vulnerable fixed ideas are to subversion. I collect fragments from different sources and reconstruct them into something new, connecting disparate ideas and moments to produce ephemeral possibilities containing a hint of truth.

    Recent work uses film to create collages about the liminal, barren, non-space of the train journey, our relationship to it and how this can shift as a result of making art. It exploits the points where the technology of the camera fails, unable to frame a shot or keep things correctly in perspective. The final film offers fragments of different places - dislocated moments trapped in time - one event interrupting or haunting another, constructing a vision of a world poised between beauty and dystopia.

    Another current series of work focuses on how the image of woman is portrayed in the mass media, using a variety of non-traditional construction methods to make the final collages. Each one pairs a 1930’s photographic postcard with a ‘twin’ in a similar posture sourced from a contemporary fashion magazine, constructing a hybrid ‘Other’ picture of womanhood. Superficially the material selected offers the passive perfection of theatrical stills, but it resists my patriarchally-based gaze to produce a final image that’s never intact, blocking possession of womanly perfection, denying pleasure, and re-siting the experience of viewing in castration and anxiety.

    CV & Education

    Selected Group exhibitions and film screenings:

    2016 Live Film and Performance Night, Analogue Ensemble, Whitstable Biennale Satellite

    2016 Time, Making Art Work, Maidstone Museum, Maidstone

    2015 Maidstone Art Market, a Making Art Work event, Maidstone

    2015 .MOV, a Threads screening event, Canterbury

    2015 Summer Salon 2015, Islington Arts Factory, London

    2015 The Other Side of Here, 51zero's cross-border festival of film, video and digital art, France

    2014 Response, Making Art Work, Maidstone Museum, Maidstone

    2014 Repetition, part of RECURSIVE, No Format Gallery, London

    2014 The Other Side of Here, 51zero cross-border festival of film, video and digital art, UK

    2014 Zeitgeist Summer Exhibition 2014, Zeitgeist Arts Projects, London

    2014 Open Projector Night, Making Art Work, Maidstone

    2014 On Tap, Making Art Work, Brewery Tap Gallery, Folkestone

    2014 Timeslip, Fringe Arts Bath Festival, FaB 2, Bath

    2014 Tension, Sevenoaks Kaleidoscope Gallery

    2014 Share and exchange exhibition, Zeitgeist Arts Projects, London

    2013 S.I.T.E., CCW Alumni Show 2013, Chelsea Collage of Arts, London

    2013 Object Abuse, Spinach, London

    2013  SHIFT, Making Art Work, Maidstone

    2013  In the Shadow of Her Gaze, MA fine art graduation show, University of the Arts London

    2013  Maidinski project, Making Art Work, Maidstone

    2013  MA pop-up exhibition, University of the Arts London

    2013  Share and exchange exhibition, Zeitgeist Arts Projects, London

    2012  Red, Making Art Work, Maidstone

    2012  Text, Making Art Work, Maidstone

    2012  Shoes, Cultivate Gallery, London

    2012  E17 Art Trail, London

    2012  All at Sea, Pie Factory, Margate

    2012 Memoria Technica, Nunnery Gallery, London

    2011 I's, Shes, Hers, Ours, The Gallery, London

    2010 Battle Contemporary Fine Art Exhibition, Battle

    2010 Neither Use nor Ornament, Herbert Read Gallery, Canterbury

    2010 Graduation Show, University for the Creative Arts, Canterbury

    Collaborations:

    2014 Participated in Clare Smith’s Stitched Time Project

    Prizes:

    2013 Shortlisted for the Clifford Chance Sculpture Prize 2014

    Publications:

    2014 Stigmart10 interview Claire Manning

    2014 Claire Manning, ‘In the Shadow of her Gaze’, 2014 published via academia.edu

    Education:

    2013 Masters in Fine Art (distinction), University of the Arts London

    2010 Batchelor of Arts (hons.) in Fine Art, University for the Creative Arts, Canterbury

    2007 Foundation Diploma in Art & Design (distinction), University for the Creative Arts, Maidstone

    Other:

    Claire Manning is a Founder Member and previous Director of Making Art Work, an artist’s co-operative based in Maidstone.