Approved: 18.11.2009

Antony Clarkson

Artist, Curator, Gallerist, Arts administrator, Lecturer / academic

Approved: 18.11.2009

Questions and Paradoxes, Enigmas and Wonders; excerpts from 'the Manifesto of a 'Global Village'-Idiot'. What is art? Why am I an artist? I'll answer the second question first, as I think I know the answer to it; whereas it's harder to be sure about the first. I am an artist because I feel the need to make art. But surly this creates a paradox, if I'm not sure what art is

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  • Location: Manchester UK & Chongqing China
  • Activities: Adult education, Lecturing, Residencies, Publishing, Studio practice
  • Tags: The Independent Art School, , PS Mirabel
 
 

Biography

Questions and Paradoxes, Enigmas and Wonders; excerpts from 'the Manifesto of a 'Global Village'-Idiot'. What is art? Why am I an artist? I'll answer the second question first, as I think I know the answer to it; whereas it's harder to be sure about the first. I am an artist because I feel the need to make art. But surly this creates a paradox, if I'm not sure what art is why do I feel the compulsion to make it and how do I know when I have made it? So back to the first question, what is art? To most of society, art, certainly contemporary art is something of an enigma. Much of my work involves a self-reflective analysis of art and its relationship with society, as I feel that is where the real significance of art lies. Through this process no idea is considered too big or small, too banal or outlandish. Indeed I sometimes think that the job of the artist is really to recognise a piece of art work rather than to make one. It is said that being an artist is the only job that nobody ever asked you to do. That somehow suggests that art is an extra, an indulgent, not one of life's necessities. I was recently asked to comment on the idea of 'indulgence' in art for a magazine article. The writer's thinking was about the kind materials that artists use, for me the idea had stronger connotations. The very idea of being an artist is an indulgence. Here I am doing something, apparently, more for myself than for anybody else; I proved that because nobody asked me to do it. But society accepts it; it, doesn't seem to consider art as an extra. Society is happy to indulge artists; it even seems to need them. So what does society get out of the deal? The answer is that with this indulgence comes a responsibility. Society expects us to ask the kinds of questions and do the kinds of things that it would like to ask and do, but is too timid to. We have to create the kind of things that make people ask questions and yes, even wonder. So society needs the artist, but as it doesn't full understand or trust them, so it keeps them on the fringes of society, like the shaman of old. In a world described as a “global village” artists are the 'global village' - idiots.

CV & Education

Selected Solo Exhibitions

2014- 'Somebody Elese Storey', The Whisper Residency, CFCCA, Manchester UK

2013- PS Mirabel presents, The Process Residency 2013: Antony Clarkson: A Retrospective. PS Mirabel, Manchester, UK

2012 - 'Composition in White (Painting)', 501 Artspace, Chongqing, China

2012 - 'Composition in White (Sculpture)', The Sculpture Gallery, Sichuan Fine Art Institute, Chongqing, China

 

Selected Group Exhibitions

2015-PS Mirabel Presents, PS Mirabel Gallery, Manchester, UK

2015- Shelf Life, PS Mirabel Gallery, Manchester, UK

2014- A6,  PS Mirabel Gallery, Manchester, UK

2014- '1964', PS Mirabel Gallery, Manchester, UK

2013- 'The Newtonian Nightmare', Sythesis, Victoria Warehouse, Mancester, UK

2013 - 'The Indescrete', Occupy, Salford, UK

2013- 'Mary's Table', Little May Day, Chinese Arts Centre, Manchester, UK

2013 - 'Concrete Haiku', Mix: Concrete Art and Design, PS Mirabel Gallery, Manchester, UK

2013- 'Autograph', Chain of Events, Manchester Central, UK

2012 - 'Picture Frame', Open, Entrance, Exit, PS Mirabel Gallery, Manchester, UK

2012 - 'The Murder of Crows', The Line Between, Monster Truck Gallery, Dublin Ireland

2012 -'The Murder of Crows', Wexford Arts Centre, Wexford, Ireland

2011 - 'Pilgrimage', Workhouse, The Hive, Arts Council England Building, Manchester, UK

2010 - 'Paper, Scissors, Rock', The Scholer's Rock Project, Chinese Arts Centre,

2010 - 'Floorplan', Manu, Finnish Academy of Fine Arts Gallery, Helsinki, Finland

2009 - 'The Fifth Column', Where the Garment Gapes, The Triangle, Manchester, UK

 

Selected Interventions

2009 - 'Tension', The Holden Gallery, Manchester Metropolitan University, Manchester, UK

 

Selected Artist Residencies

2014- The Whisper Residency, CFCCA, Manchester, UK

2013- PS Mirabel presents, The Process Residency 2013: Antony Clarkson, PS Mirabel, Manchester, UK

2012-2013 - AA2A Residency, Manchester Metropolitan University, Manchester, UK

2012 - Breathe Residency, 501 Artspace, Chongqing, China

2011-2012 - Trafford College Residency, Trafford College, Chesire, UK

2011 - Cow House Studios Residency, Cow House Studios, Wexford, Ireland

 

Selected Public Commissions

2012 - 'Promontories', Trafford College, Altrincham, Cheshire, UK

 

Selected Curatied Exhibitions

2016- Stephen Murphy, The Process Residency 2016, PS Mirabel Gallery, Manchester, UK

2015- 'Danger-Men at Work', The Whitworth Art Gallery, Manchester, UK

2015- Tim Dunbar, The Process Residency 2015, PS Mirabel Gallery, Manchester, UK

2014- Mary Griffiths, The Process Residency 2014, PS Mirabel Gallery, Manchester, UK

 

Qualifications and training

2013 - PTLLS, Adult Teaching Qualification

2009 - MA Fine Art, Manchester Metropolitan University

2008 - BA Fine Art, (First Class Honours), Manchester Metropolitan University

2005 - Foundation in Art and Design, (Distinction), South Trafford College, Altrincham