Approved: 29.06.2012

Andrew Gannon

Archived
Approved: 29.06.2012

Faced with the question of what to make or how to make, it seems impossible to ignore current events or to work outside of my means. Whilst I have no desire to be didactic, I must make work from a position true to my beliefs. Under these circumstances I find it best to work with materials that are close to hand, abundant, inexpensive or free.
My recent work has been largely performative. I have an

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  • Location: Edinburgh, Scotland
 

Biography

Faced with the question of what to make or how to make, it seems impossible to ignore current events or to work outside of my means. Whilst I have no desire to be didactic, I must make work from a position true to my beliefs. Under these circumstances I find it best to work with materials that are close to hand, abundant, inexpensive or free. My recent work has been largely performative. I have an interest in lightness, as a subject, but more so, as a way of operating. I look to make work with as little as possible. I set out to learn new things and to produce work that I do not expect. I look to failure as a useful way of surprising myself and often set up actions or events that have the potential to fail, hopefully in useful and interesting ways. These actions or events are, more often than not, very slight and unspectacular; I do not seek theatricality. I am interested in visibility and temporality; I appreciate sincerity and honesty and I rely heavily on the generosity of others. Taking into account all of these qualities and concerns, more often than not, I arrive at performative work. As with all temporal work it is necessary to present documentation. I have chosen to do this by making posters, usually comprising line drawings and simple texts. Whether intentional or not, all documentation involves a process of editing, staging, framing, and positioning. The posters present simple, interesting and considered representations of the works, whilst at the same time, making clear the editing process and raising questions of authenticity.

CV & Education

Qualifications and training 2012 - MFA Contemporary Art Practice, Edinburgh College of Art 2002 - BA (Hons) Fine Art, Manchester Metropolitan University Solo exhibitions 2011 - Bollard work, Market Street, Edinburgh Group exhibitions 2012 - Casting, Hanson Street Project Space, Eastside Projects & ESP, Glasgow International Festival of Visual Art?Attention Seeker, Online, www.attentionseeker.moonfruit.com?Attention Seeker, Edinburgh College of Art 2011 - Embassy Film and Performance event, Edinburgh College of Art?In Cars, Annuale, Edinburgh 2010 - Berlin and That…, J. A. Sinclair Gallery, Edinburgh?Berlin and That… The International 3, Manchester ?Salon, The Embassy, Edinburgh 2009 - Magic Carpet, The Crypt Gallery, London Competitions, prizes and awards 2011 - Andrew Grant Bequest Major Award, Edinburgh College of Art