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Alison O'Neill

Cambridge
Video Artist

Alison O’Neill makes non-narrative, experimental moving image works that use video as a material to explore domestic imagination.

Her work looks at how the domestic space can both contain and construct the female subject and explores the formal, and often abstract, beauty of the ordinary and the everyday. This mundane beauty becomes the catalyst for an escape route into an imaginary world.

Earlier video work explored the maternal experience within the context of power relations as well as visualising maternal subjectivity, longing and desire. This body of work included the videos Punctures and (S)mother which were both shortlisted for the Birth Rites Collection Prize.

Recent exhibitions and screenings include Bridge Video, Chicago (2023), Artist-Parent Pandemic Video and New Genres at the CAA Annual Conference, New York (2021), Open Out at The Fruitmarket Gallery, Edinburgh (2019), The Birth Rites Collection Shortlist Screenings at The Whitworth Gallery, Manchester and King's College London (2018), The Art of Surrender at The Stills Centre for Photography, Edinburgh (2018) and Quickening at The Nightingale Cinema, Chicago (2017)

 

Like A Faint Scent

Like A Faint Scent

Like A Faint Scent

Here We Left It

Here We Left It

Here We Left It

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