My paintings are highly intuitive, offering a stream of conscious expression balanced between the simultaneously whimsical and the brutal. Oscillating between the figurative and abstract, multi-layered images of quasi - characters, intrusive blobs, trunks, geometric intersections, oddly shaped proboscises, and vessels effuse disjointed rhythms and an absorption with the semiotics of painterly language. My preoccupation is with the material itself – the visceral quality of paint, texture and the accumulation of marks and emphasis on colour. I have no advance visual strategy, but instead meander through the subconscious, with a free form approach. Encouraging a perfomatitive aspect in the doing and undoing of the image, the transfigurations, covering, layering and revealing of shape and line generate a dialogue between intuition and accident. Replacing the arbitrary with a serendipitous account of the unpredictability, the work espouses doubt and uncertainty, the comic and the absurd and the awkward and the isolated.