Karen Ingham

you are here: art scene > open frequency > karen ingham

Sign up for Axis news

Sign up to receive e-bulletins from Axis.

send to a friend

Art & Design Researcher - Swansea Metropolitan University

Open Frequency selector from January 2009

Karen Ingham is an artist, writer and curator, and the director of various research initiatives in lens-based arts, and arts, science and technology collaborations at Dynevor Centre for Art, Design and Media at Swansea Metropolitan University. She was born in England but raised in the United States, Germany and Norway, returning to England to study time-based arts in Nottingham in the 1980s. Following graduation she worked as an independent film director and screenwriter before moving to Wales where she worked at Chapter Arts Centre and the BBC before returning to her own practice. She gained an MPhil with the University of Wales in 2001 and a Doctorate in 2006 with research into historical and contemporary arts and science collaborations in the anatomical theatre.

Ingham works in lens-based arts and her practice is interdisciplinary, incorporating theory and practice. She has received support from The British Film Institute, The Wellcome Trust, The Arts & Humanities Research Council, The Arts Council of Wales and The Calouste Gulbenkian Foundation. She was awarded a 2006 Arts & Humanities Research Council 'Sci-Art Fellowship' for the project 'Seeds of Memory' where she collaborated with the Cardiff Neuroscience Research Group, and her installation 'Vanitas: Seed-Head', has been shown at The Waag, Amsterdam (2005) and ENTER 3 Festival, Prague (2007).

Her practice has been widely exhibited and disseminated with publications in distribution with Dewi Lewis Publishing, Ffotogallery Publications and Seren Books. Her research focuses predominantly on: biomedical discourse, 'Anatomy Lessons' (2004) and 'Re: Embodiments' (2008-10); the mind-body continuum, 'Vanitas: Seed-Head' (2005) and 'Seeds of Memory' (2006); the photographic memento-mori, 'Death's Witness' (2001); and the notion of place and belonging, 'Lost' (1998), 'Paradise Park' (2000), 'Ha Ha: Margam Re-visited' (2002 and co-edited with Christopher Coppock), and 'Unnatural Histories' (2008). Karen Ingham is represented by Millennium Images London and IRIS International Resource for Women's Photography.

Karen Ingham's research at Swansea Met University

Karen Ingham's profile on Iris (Research Group)

Nominated Artists

Blue MacAskill (March 2010)
Ainsley Hillard (November 2009)
Nicola Kelly (September 2009)
Hamish Gane (June 2009)
John Paul Evans (April 2009)
Fern Thomas (March 2009)

Axis logo
Copyright Axis 1999-2013 unless stated otherwise. No reproduction of text or media without written permission. For terms and conditions visit www.axisweb.org/copyright.