Rant 74: Blockbuster blues

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Rant 74: Blockbuster blues

The sight of long winding ‘blockbuster’ exhibition queues has become commonplace in our major cities, but what effect does the sheer mass of visitors to an exhibition have on the experience of art? Cara Sutherland looks back on being too small to see and how growing hasn’t helped.

Contributed by: Cara Sutherland

The views expressed in The Rant are those of Cara Sutherland and forum contributors and unless specifically stated are not those of Axis. See Axis terms of use
Ice cream, 2008
Peter GatesIce cream, 2008

When I was a child, my grandfather took me to the National Gallery. It was huge, slightly cold, smelt funny and I was too small to really see anything. So my grandfather lifted me up to look at the paintings. 

I have never forgotten the true childish anguish I felt at not being able completely to see the works of art. The day ended with a grumpy granddaughter tucking into an ice-cream. Problem solved. If only an ice-cream could soothe my frustration now.

I spend a great deal of my time in galleries and museums. It’s my profession, study and my love, but I struggle to feel any personal appreciation towards the over-crowded ‘blockbuster’ exhibitions so readily adopted by our galleries and museums. The National Gallery’s Leonardo exhibition has seen queues around the building, with shivering blue-faced visitors standing in the frosty London air waiting to get a ticket. And when inside the average congregation round a painting exceeds twenty.

Having decided against losing my fingers to frostbite, I recently visited the British Museum to see Grayson Perry’s Tomb of the Unknown Craftsman. Sadly, as soon as I purchased my ticket I became part of a mass, a crowd like the ones you get at a concert - all straining to get a glimpse of the art we paid to see.

And here is my problem: at a gig the crowd is the atmosphere, it enhances your sense of something experienced and appreciated in a collective context. That’s the point.

I’m not sure that I’m happy only being able to experience an exhibition between the heads of my fellow onlookers. Maybe I’m saying that the contemplation, the ability to look at something of interest for as long as I want is crucial to my enjoyment of an exhibition. Now that I’m tall enough to see the art, why should I be six rows back?

 

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Posted by
Emily Lockren
Emily Lockren's artist profile image

Post #1
Posted on 21 March 2012

I was one of those shivering queuers for the Da Vinci exhibition. Was it worth it? Well, I am not sure. The struggle to see the work up-close was excruciating, and it was hot and noisey.

Am I going to queue up for the Hockney show at the Royal Academy? No. This is one blockbuster exhibition I am sadly going to miss. After my misery at the Da Vinci I will not cram into a gallery again for a very long time.


Post #2
Posted on 21 March 2012

I disagree with the concept of paying to see an exhibition in any of the Free Galleries , when there is a big sign up outside saying free I simply refuse to pay and that is that.
I also find the free permanent collections like the Turner gallery in Tate Britain are so extensive I never feel the need to visit the paying exhibitions,
I may make an exception for the David Hokney exhibition at the Royal academy
But that really would be an exception for me.


Post #3
Posted on 22 March 2012 as a reply to #2

 Hi Michael,

Firstly thank you for commenting. 

Whether you love to hate him or hate to love him: the one and only Mr Charles Saatchi wrote an article in January about the concept of paying for temporary exhibitions at 'Free Galleries'..... not meaning to direct peoples attention away from Axisweb's debating forum but it was an interesting if not somewhat contradictory article. 

http://www.guardian.co.uk/commentisfree/2012/jan/30/museums-free-admission-art-exhibitions

Cara


Posted by
Susan Banks
Susan Banks's artist profile image

Post #4
Posted on 22 March 2012

I agree Cara, and also I don't want to listen to strangers' comments on the artworks.


Posted by
gandha
Post #5
Posted on 22 March 2012

It's the reason I never go to major galleries especially in the spring/summer months when the tourists are here. The worst for me is Tate Modern  - always teeming with teenagers on school trips looking bored.  Blockbuster exhibitions are nothing to do with art they are money making machines for the galleries...


Post #6
Posted on 03 April 2012 as a reply to #4

 Hi Susan,

That's an interesting one for me, although I dislike my view to be impaired and my calm contemplative environment ruined, I do actually enjoy hearing what others think about the work. It seems a little contradictory I know, but I like the discussive element of object appreciation.

I want the calm and the ease to move around yet I want the discussion and interaction and it changes from time to time. 


Post #7
Posted on 18 April 2012

Personally, I find it exciting that so many people are ready to take time to appreciate art. The first time I lined up around a block to see a contemporary show, I almost cried with happiness. We can't have our cake and eat it too, I suppose is what I am saying. I think we have to be aware that it has become mass entertainment and make work accordingly. They aren't putting these exhibitions together for artists to see and the fact that they are so over subscribed means that they must be giving people what they want. I personally might question the galleries choices, like Hirst in time for the Spectacle of the olympics but hey .... As for paying? The answer seems really simple to me galleries open or galleries closed, galleries collecting and showing or not. At least for us it is a tax deductible pleasure.


Post #8
Posted on 04 May 2012

yes is it the fact that everyones doing it make the show feel problematic, is it a need to be solitary when viewing art, does being part of a crowd make the viewing experience seem more like mass entertainment (as the gig example) rather than the practice led exploration of ideas that gives rise to peer critique and debate, which is what I love about art.

or just that queueuing for an hour plus just seems an inordinate waste of time like sitting in a traffic jam, an experience best avoided.

Thanks for the Mondrian tip - good insider advice avoids being a tourist!



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