Post #3
Posted on 09 October 2009
It is interesting to consider the effect that images from another "era", chronologically or culturally, can inflict on contemporary attitudes but can we learn anything positive from showing these images?, can the past really form critical comparisons to our lives today ? were they exhibited to provoke their confiscation? Perhaps the action of confiscation imbues a meaning to the artist's action or to the images that they would otherwise be devoid of. What does Brooke Shields think?