Sheila Vollmer

The undulating form of 'Tower Line' (nodding to Brancusi's Endless Column), is dependent on a set systems of joined angles and lengths of the angle. The one flat side of the sculpture and the painted colour outside the angle, add to the changing views and energy, accentuating the continuous line and drawing the eye inside and out. The form of the work, the nature of the material, colour and the process of making are interdependent with an aim to express energy and meaning.