Susan Banks

Part of a body of work which explores symbolic attributes of mirrors, plays with their definition and questions what they reflect. The starting point of this painting was an mirrored frame which seems to be an integral part of a painting by Frida Kahlo. The systems of process, colour progression and grouping which govern the development of the painting ensure subtle asymmetries and colour combinations and thereby celebrate the particularity of painting in an era of technical imaging. The aesthetic qualities of the work are partly dependant on the very materiality of paint and its application. The flat areas in the paintings is applied in acrylic paint while the rest of the canvas is worked using a wet-into-wet oil painting process.